{"title":"Guitar Player Magazines","description":"\u003cp\u003eStep into the roots of six-string history with our collection of vintage \u003cb data-path-to-node=\"1\" data-index-in-node=\"73\"\u003eGuitar Player\u003c\/b\u003e magazines. Established in 1967, this pioneering publication set the gold standard for guitar journalism across rock, blues, jazz, and classical styles. Packed with masterclass lessons, rare artist interviews, meticulous gear breakdowns, and accurate transcriptions, each issue offers an authoritative journey through the techniques, tones, and legends that defined modern guitar playing. Find our collection below.\u003c\/p\u003e","products":[{"product_id":"guitar-player-magazine-january-1998-kenny-wayne-shepherd-b-b-king-sku-1549","title":"Guitar Player Magazine January 1998 WITH CD Kenny Wayne Shepherd B.B. King SKU 1549","description":"\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"LR5Y_W_content markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp\u003e\u003cspan\u003eOriginal \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGuitar Player Magazine – January 1998\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue 337, Volume 32 No. 1\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKenny Wayne Shepherd\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e as the main cover star.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA particularly good late-1990s issue for blues and guitar collectors, combining a substantial Kenny Wayne Shepherd cover feature with material on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eB.B. King, Eric Clapton, David Gilmour, Bonnie Raitt, Pat Martino, Andy Summers, Wyclef Jean\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and a sizeable guitar\/effects equipment section.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover features a young \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKenny Wayne Shepherd\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e holding a Fender-style electric guitar, with the main headline focusing on his emergence as one of the major young blues guitarists of the period.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eKenny Wayne Shepherd Cover Feature\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe principal feature appears on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epage 90\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e under the title \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“I’m a Man”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe contents describe the then \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e20-year-old Kenny Wayne Shepherd\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e developing further as a blues guitarist. The magazine also includes a related lesson section on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epage 93\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, looking at his playing influences and approach, including references to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJimi Hendrix, Freddie King\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and other guitar greats.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis makes the issue particularly collectible for Kenny Wayne Shepherd fans, blues-rock collectors and guitar players interested in his early career.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eB.B. King – Deuces Wild\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eA major feature begins on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epage 58\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e covering \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eB.B. King’s “Deuces Wild”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe contents specifically reference B.B. King working with major artists including:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eEric Clapton\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eBonnie Raitt\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eDavid Gilmour\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHeavy D\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOther guest performers\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThere is also a related \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Deuces Wild Sessions”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e feature on page 61 examining the recording of the album and B.B. King’s famous blues guitar sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eOther Featured Guitarists \u0026amp; Artists\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eOther notable editorial content visible in the issue includes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAndy Summers\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – profile beginning on page 29, focusing on the former Police guitarist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWyclef Jean\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – page 35, discussing his guitar playing alongside his hip-hop career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eZoot Horn Rollo\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – page 39, looking at the distinctive Captain Beefheart guitarist and his approach to guitar sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePat Martino\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – behind-the-scenes feature on the production of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eAll Sides Now\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA photographic feature titled \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Shoot First, Ask Questions Later”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e also includes classic guitar-related imagery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe introductory section additionally references artists including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePortishead, The Sundays, Dream Theater, Magical Power Mako, Dale Watson, The Henrys, Sugar Ray, Hendrix\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and others.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eGuitar \u0026amp; Equipment Content\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis issue contains substantial gear coverage, making it useful not just as a music collectible but also as a period reference for late-1990s guitar equipment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBench Tests\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e section includes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eFive semi-hollowbody guitars\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eModels\/brands including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGibson, Ibanez, Fernandes, Heritage and Epiphone\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eDigiTech, Zoom and Boss\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e multi-effects pedals\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eGuytron GT-100\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e dual-channel amplifier head\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eWatson Studio Ho and Flo\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e signal splitters\/preamps\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThere are also the magazine's regular \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNew Gear, Reviews, Repairs, Classifieds\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and equipment sections.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eGuitar Lessons \/ Sessions\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe Sessions section includes guitar instruction covering:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRoss Bolton – funk-style shuffles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLenny Breau – piano-style picking\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRoger Ferguson – chromatic swing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJeff McErlain – pseudo slide\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJohn Stowell – blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGary Wittner\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImprovisation and composition material\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA featured lick\/lesson section\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThis makes it a useful period magazine for guitarists as well as collectors.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eImportant – Original CD \/ Extras\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe original front cover advertises \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Now With CD!”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and the cover still shows the original \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJanuary 1998 “Now Hear This! Lessons on CD” sleeve\/holder\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe original promotional CD and any other gifts, loose supplements or promotional items originally supplied with the magazine are NOT included.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe sale is for the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emagazine and attached material shown in the photographs only\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Please do not assume any original loose free gifts are present unless separately pictured.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePre-owned vintage condition with noticeable age and handling wear.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the supplied photographs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eFront cover remains complete and displays strongly, with the Kenny Wayne Shepherd artwork clear and colourful.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThere is visible \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esurface rubbing, scuffing and general handling wear\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNoticeable \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecreasing and rippling\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e can be seen across portions of the front cover.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eouter edges and corners show wear\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, including rubbing and small bends.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSpine area has visible age-related rubbing and handling wear.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBottom edge\/corners show additional creasing and wear.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThe attached CD sleeve\/holder area has some \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esurface marks and edge wear\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInterior contents page appears generally clean and well retained.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003ePages show some normal \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eage-related toning\/handling\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e appropriate for a magazine dating from 1998.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBinding appears intact in the photographed areas.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNo major missing sections are apparent from the supplied photographs, although the magazine has clearly been read and handled.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eOverall this is a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eused collector's copy rather than a mint example\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with visible cover wear but plenty of display and reference appeal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease inspect all supplied photographs carefully as they form an important part of the condition description.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003ePackaging\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUK orders:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sent securely in a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehardback envelope\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eInternational orders:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sent in a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecardboard mail-size box\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e for additional protection during transit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSKU: 1549\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Guitar Player Magazine","offers":[{"title":"Default Title","offer_id":55414488465747,"sku":"1549-01-15102026","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20261014_121109.jpg?v=1792095694"},{"product_id":"guitar-player-magazine-august-1996-dave-navarro-dave-matthews-sku-1549","title":"Guitar Player Magazine August 1996 Dave Navarro Dave Matthews SKU 1549","description":"\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"LR5Y_W_content markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp\u003e\u003cspan\u003eOriginal \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGuitar Player Magazine – August 1996\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue 320, Volume 30 No. 8\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, featuring a strong mix of artist interviews, guitar history, lessons, technical features and a substantial mid-priced solidbody guitar comparison.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover is dominated by the headline \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Real Deals! – A Mid-Priced Solidbody Shootout”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with several electric guitars pictured prominently, alongside a featured image of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDave Navarro\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and additional cover references to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDave Matthews, Vernon Reid, Lead Belly, 7 Year Bitch\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and Fender history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA particularly interesting mid-1990s issue for guitar players, collectors and fans of alternative rock, blues and vintage electric guitars.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDave Navarro Feature\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eA significant feature beginning on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epage 42\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e covers \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDave Navarro\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with the contents describing his career from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJane’s Addiction to the Red Hot Chili Peppers\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is one of the strongest collectible aspects of the issue, documenting Navarro during an important period of his career and making the magazine especially relevant to fans of Jane’s Addiction, Red Hot Chili Peppers and 1990s alternative guitar music.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDave Matthews\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDave Matthews\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is featured from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epage 29\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with the magazine describing the article as a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“crash course”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA useful period feature from the height of the Dave Matthews Band’s 1990s rise, adding further appeal for collectors of alternative, jam-band and guitar-focused music magazines.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eMain Guitar Feature – Mid-Priced Solidbody Shootout\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe principal gear feature begins around \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epage 92\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and compares a selection of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emid-priced solidbody electric guitars\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe contents photography and cover show several contrasting designs, including Strat-style, single-cut and offset-inspired instruments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe issue credits the cover guitars as including examples from:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eIbanez\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eEpiphone\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eFender\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOther mid-priced manufacturers represented in the comparison\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThis makes the issue a useful period reference for anyone interested in the guitar market of the mid-1990s.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eOther Major Features\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eOther clearly listed content includes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eVernon Reid\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – included within the introductory\/features material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eJ.J. Cale\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – page 39, described as the long-established guitarist and songwriter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSacred Steel\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – page 33, examining steel guitar in a religious\/musical setting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLead Belly\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – page 55, focusing on the influential blues and folk musician and his 12-string guitar work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eNashville Demo Session\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – page 69, following a professional-style Nashville recording session and the pressures of working in the studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTwang Tango\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – page 75, covering two-guitar playing techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFenderology\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – page 85, a historical piece on the development of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTelecaster, Stratocaster and Jazzmaster\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe issue also celebrates \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eFender’s 50th anniversary\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with a giveaway mentioned in the contents.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eGuitar Lessons \/ Sessions\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe magazine contains a substantial instructional section with lessons including:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eJim Campilongo\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – chromatic guitar ideas\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eRoger Ferguson\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – stylistic lesson material\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eFareed Haque\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – jazz-orientated lesson\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eMike Hickey\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – diminished concepts\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eAdam Levy\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – saxophone-inspired guitar lesson\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eRalph Towner\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – three-dimensional fingerpicking\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eBret Willmott\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – guide-tone comping\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFeatured \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLick of the Month\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThis is a strong issue for players as well as collectors, with practical tuition alongside interviews and gear content.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eGear \u0026amp; Regular Sections\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eRegular magazine content includes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRepairs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNew Gear\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReviews\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLearning Curve\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClassifieds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAdvertiser Index\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEncore\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGuitar equipment and technical coverage\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe magazine therefore provides a good snapshot of guitar culture and equipment from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1996\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eImportant – Original Extras\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAny loose gifts, promotional items, inserts, CDs, supplements or other extras that may originally have been supplied with this magazine are no longer included unless they are clearly shown in the photographs.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe sale is for the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emagazine itself and only the material visibly present in the supplied images\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePre-owned vintage condition with visible handling and storage wear.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the photographs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eFront cover remains bright and highly presentable overall.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThere is visible \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esurface rubbing, scuffing and scratching\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, especially across the white areas of the cover.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eSpine edge shows rubbing and general wear\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e consistent with age and reading.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etop-left corner\/spine area has noticeable wear and slight creasing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etop-right corner is bent\/creased\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with a visibly raised or curled section.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eRight-hand outer edge shows some \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esmall creases, handling marks and edge wear\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLower corners and bottom edge show additional rubbing and light bending.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSome light marks and small indentations are visible across the front.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInterior contents page appears generally clean and well retained.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages show normal age-related handling but appear well attached in the areas photographed.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNo major tears or detached sections are evident from the supplied images.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eOverall, this is a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eused collector’s copy with noticeable cosmetic cover wear\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, but it remains complete-looking, readable and attractive for its age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease study all photographs carefully, as they form an important part of the condition description.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003ePackaging\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUK orders:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sent securely in a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehardback envelope\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eInternational orders:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sent in a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecardboard mail-size box\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e for additional protection during transit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSKU: 1549\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"play guitar","offers":[{"title":"Default Title","offer_id":55414697820499,"sku":"1549-02-15102026","price":2.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20261014_121137.jpg?v=1792096237"},{"product_id":"guitar-player-magazine-april-1995-red-hot-chili-peppers-dave-navarro-flea-sku-1549","title":"Guitar Player Magazine April 1995 Red Hot Chili Peppers Dave Navarro Flea SKU 1549","description":"\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"LR5Y_W_content markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp\u003e\u003cspan\u003eOriginal \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGuitar Player Magazine – April 1995\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue 304, Volume 29 No. 4\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with a major \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRed Hot Chili Peppers\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e cover feature centred on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDave Navarro and Flea\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover promotes the band as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“New Blood, Fresh Tracks – The Inside Story”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, making this a particularly interesting mid-1990s issue from the period when Navarro was part of the Red Hot Chili Peppers line-up.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is a strong collector’s issue for fans of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRed Hot Chili Peppers, Dave Navarro, Flea, 1990s alternative rock and guitar magazines\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with extensive music, gear, history and instructional content.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eRed Hot Chili Peppers Cover Feature\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe main feature begins around \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epage 104\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and focuses on the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRed Hot Chili Peppers\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, specifically \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDave Navarro and Flea\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe contents page states that Navarro and Flea \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ereinvent the band\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, reflecting the major stylistic transition the group was undergoing during the mid-1990s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe magazine includes a striking black-and-white feature image of the pair with their instruments, and the cover itself prominently identifies them as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDave Navarro \u0026amp; Flea\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor collectors, this is especially relevant because it documents a distinctive period in Red Hot Chili Peppers history rather than the group’s more commonly represented later line-ups.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eOther Featured Artists \u0026amp; Articles\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe magazine contains a wide-ranging selection of guitar-focused features, including:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eJeff Buckley\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eMichael Bloomfield\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eSonny Landreth\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eDream Theater \/ prog-related coverage\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eTestament\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eThe Hellecasters\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eW.C. Clark\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eBrent Mason\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eThe Assad Brothers\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVarious rock, blues, classical and progressive guitar artists\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eA dedicated \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMichael Bloomfield lesson\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e appears around page 87, focusing on chromatic blues ideas and his distinctive playing style.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eThe Hellecasters\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe issue includes a feature on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Hellecasters\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, described as being “back on the twang gang,” adding another strong guitar-player-focused article for fans of roots, country and virtuoso instrumental playing.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eProgressive Rock Feature\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eA feature titled \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Prog Rock Redux”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e examines a newer generation revisiting the musical ideas of 1970s progressive rock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis adds further interest for collectors of prog-related material and guitar-history content.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eGuitar Gear Content\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe issue is also heavily focused on equipment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHighlighted gear coverage includes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eFive high-end solidbody guitars rated\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eMatchless amplification\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eOrange Sunshine pedal\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRepair and setup coverage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNew gear\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReviews\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLearning Curve\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClassifieds\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe magazine therefore offers both artist material and useful period gear coverage from the mid-1990s guitar market.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eLessons \/ Sessions\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eA substantial instructional section includes lessons and technique material from names such as:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eJim Campilongo\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eRoger Ferguson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eJon Finn\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eRay Flacke\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eBruce Forman\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eMike Hickey\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eBarney Kessel\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eGreg Martin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eRalph Towner\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eAdditional topics include blues, jazz, diminished ideas, fingerstyle, twang playing, rhythm work and other technique-based material.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePre-owned vintage condition with visible age and handling wear.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the supplied photographs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eFront cover remains colourful, complete and highly displayable.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThere is visible \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eedge wear and rubbing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, especially around the lower edge and spine.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebottom-right corner is creased and curled\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with some compression and bending.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebottom-left corner shows rubbing and slight wear\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSome general surface marks, rubbing and minor scuffing are visible across the cover.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe upper edge and corners show mild handling wear.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSpine area appears intact but shows age-related rubbing.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInterior pages shown appear \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eclean, bright and securely attached\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eContents page remains sharp and readable.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNo major page loss, severe tearing or obvious writing is visible in the supplied photographs.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eOverall, this presents as a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egood used collector’s copy\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with noticeable but typical cosmetic wear for a magazine of this age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease study all supplied photographs carefully, as they form part of the condition description.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eImportant – Original Extras\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAny loose gifts, CDs, posters, promotional items, supplements, inserts or other extras that may originally have been supplied with this magazine are no longer included unless they are clearly visible in the photographs.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe sale is for the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emagazine itself and only the material visibly present in the supplied images\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003ePackaging\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUK orders:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sent securely in a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehardback envelope\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eInternational orders:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sent in a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecardboard mail-size box\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e for additional protection during transit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSKU: 1549\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"play guitar","offers":[{"title":"Default Title","offer_id":55414740648275,"sku":"1549-03-15102026","price":2.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20261014_121155.jpg?v=1792096462"},{"product_id":"guitar-player-magazine-october-1998-the-black-crowes-steve-vai-robert-fripp-sku-1549","title":"Guitar Player Magazine October 1998 The Black Crowes Steve Vai Robert Fripp SKU 1549","description":"\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"LR5Y_W_content markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp\u003e\u003cspan\u003eOriginal \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGuitar Player Magazine – October 1998\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue 346, Volume 32 No. 10\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, featuring \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Black Crowes\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e on the front cover with brothers \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eChris Robinson and Rich Robinson\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis issue is particularly strong for collectors of late-1990s rock and guitar magazines, combining a major Black Crowes cover feature with articles on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSteve Vai, Robert Fripp, Trey Gunn, Goo Goo Dolls, Storyville, Justin Adams, Ernest Ranglin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and a substantial recording and guitar-tech section.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover is dominated by a studio portrait of Chris and Rich Robinson, with the headline:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e“The Black Crowes – Studio Report! The Robinson Brothers Rock Revival.”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eThe Black Crowes Cover Story\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe main cover feature begins around \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epage 96\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e under the title \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Hippie Shakeup.”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe feature focuses on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eChris Robinson and Rich Robinson of The Black Crowes\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, looking at the band’s return to its rock roots and the Robinson brothers’ approach during this period.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Black Crowes collectors, this is an attractive late-1990s period piece, capturing the band during an important phase of its career and placing considerable emphasis on the guitar-driven side of their sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eSteve Vai – Seven-String Guitar Feature\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eA major feature beginning around \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epage 62\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is titled:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e“Six + One = Heaven”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt includes \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSteve Vai, Howard Alden and Korn’s Brian “Head” Welch\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, discussing the advantages and musical possibilities of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eseven-string guitars\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA related feature, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“The Seven Deadly Strings”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, follows around page 65 with an exclusive lesson focused on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eseven-string comping\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis makes the issue particularly interesting for collectors and players interested in the rise of extended-range guitars during the 1990s.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eRobert Fripp \/ ProjeKct\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAround \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epage 55\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the magazine features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e“Progressive ProjeKct”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis article covers \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAdrian Belew, Robert Fripp and Trey Gunn\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, discussing \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eProjeKct II\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the improvised \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKing Crimson\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e side project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis gives the issue added appeal to collectors of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKing Crimson, progressive rock and Robert Fripp\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e material.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eRecording Special\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe issue is also promoted as a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRecording Special\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with a strong focus on home and digital recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHighlighted recording content includes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eDigital multitrack recording\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMixing techniques\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003e“Mixology”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – ten tips designed to improve a mix\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReviews of tabletop digital recorders\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eEquipment from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAkai, Fostex, Korg, Roland and Yamaha\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStudio-oriented advice for guitarists and home-recording musicians\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThis is a useful snapshot of late-1990s digital recording technology and the period when affordable home multitracking was becoming increasingly important.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eGoo Goo Dolls\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe contents mention the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGoo Goo Dolls\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, including Craig Chiquico discussing the song \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Jane”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, alongside additional rock-related material.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eOther Featured Artists\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe issue also includes coverage of:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eStoryville\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eDavid Grissom\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eDave Holt\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eJustin Adams\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eErnest Ranglin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eTrey Gunn\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eAdrian Belew\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eHoward Alden\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eBrian “Head” Welch\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eRobert Fripp\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eSteve Vai\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eThe Black Crowes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eGoo Goo Dolls\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan\u003eGuitar Lessons \u0026amp; Sessions\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe instructional \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSessions\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e section contains a broad range of guitar lessons, including:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eJody Fisher – Go Outside from Within\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eStacy Phillips – A Trip to Hawaii\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003ePino Marrone – Upper-Register Chords\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eMorris Acevedo – The Fingertip String Quartet\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eLenny Breau’s Comping Workout\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eEd Bickert – Flashback: Improving Harmony\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eKenny Burrell – Quick Pick\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003e“Four on the Floor” – Lick of the Month\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThis gives the magazine a strong practical side for guitarists as well as its artist and interview content.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eGear \u0026amp; Bench Tests\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eGear coverage includes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eIbanez AF207 and RG7621 guitars\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eMIT instrument cables\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eOptek SmartLIGHT\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eYamaha DG100-212 amplifier\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eL.R. Baggs X-Bridge pickup system\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNew Gear section\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReviews and technical equipment coverage\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe magazine therefore offers a good mix of artists, guitar technique, equipment and recording technology.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePre-owned vintage condition.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased on the supplied photographs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eFront cover remains \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebright, clean and highly presentable\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMain cover image and titles remain sharp and clear.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSome \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003elight handling wear and rubbing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e are visible around the outer edges.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eMinor \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecorner wear \/ softening\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is visible.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe lower edge shows small signs of age and handling.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThere appears to be some light surface rubbing and very minor creasing consistent with storage.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSpine appears intact in the photographs.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInterior pages shown are \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eclean, bright and securely held\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eContents page is highly readable and appears well preserved.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNo major tearing, heavy staining, writing or substantial page damage is visible in the photographs supplied.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eOverall, this appears to be a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egood collector-grade used copy\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, especially considering its age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease study all photographs carefully, as they form part of the condition description.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eImportant – Original Extras\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAny CDs, free gifts, supplements, inserts, promotional items or other extras that may originally have been supplied with this magazine are no longer included unless they are clearly shown in the photographs.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe sale is for the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emagazine itself and only the items visibly present in the supplied images\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003ePackaging\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUK orders:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sent securely in a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehardback envelope\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eInternational orders:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sent in a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecardboard mail-size box\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e for additional protection in transit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSKU: 1549\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"play guitar","offers":[{"title":"Default Title","offer_id":55414773514579,"sku":"1549-04-15102026","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20261014_121211.jpg?v=1792096587"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/collections\/IMG_20261014_121211.jpg?v=1792096740","url":"https:\/\/ladsmags.co.uk\/collections\/guitar-player-magazines.oembed","provider":"Magazine Trader LTD","version":"1.0","type":"link"}