{"title":"Select Magazines","description":"\u003cp\u003eRewind to the high-energy peak of 1990s British music culture with our archive of vintage \u003cb\u003eSelect\u003c\/b\u003e magazines. First published in 1990 by EMAP, this influential monthly title became the ultimate chronicle of the decade, famously shaping and defining the Britpop movement alongside alternative rock and electronic scene highlights. Each issue is packed with razor-sharp band interviews, unfiltered album reviews, pop-culture features, and iconic cover photography. Find our collection below.\u003c\/p\u003e","products":[{"product_id":"select-magazine-january-1997-prodigy-pulp-oasis-spice-girls-orbital-manics-sku-1494","title":"Select Magazine January 1997 Prodigy Pulp Oasis Spice Girls Orbital Manics SKU 1494","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eOriginal \u003cstrong\u003eSelect magazine dated January 1997, Issue No. 70\u003c\/strong\u003e, packed with late-1990s British music coverage and a major retrospective looking back at \u003cstrong\u003e1996\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe colourful front cover uses a distinctive comic-book style design, combining illustrated bodies with photographic heads of major figures from the mid-1990s music scene. The huge \u003cstrong\u003e“1996 – Were you there?”\u003c\/strong\u003e headline makes this particularly appealing as a snapshot of the Britpop, indie, dance and alternative music landscape at the end of 1996.\u003c\/p\u003e\n\u003cp\u003eThe cover and contents show a particularly broad range of artists spanning \u003cstrong\u003eBritpop, indie rock, electronic music, dance and mainstream pop\u003c\/strong\u003e, making this a strong period piece for collectors of 1990s UK music magazines.\u003c\/p\u003e\n\u003ch3\u003eMain Cover \/ 1996 Retrospective\u003c\/h3\u003e\n\u003cp\u003eThe main cover is built around Select’s review of \u003cstrong\u003e1996\u003c\/strong\u003e, with prominent figures from the era incorporated into cartoon-style artwork.\u003c\/p\u003e\n\u003cp\u003eThe cover also carries a \u003cstrong\u003e“Bonehead Speaks!”\u003c\/strong\u003e feature and promotes numerous artists across the top and bottom banners, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eOrbital\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eManic Street Preachers\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSuper Furry Animals\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMick Hucknall\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBlack Grape\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDodgy\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFuture Sound of London\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReef\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpice Girls\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe Stone Roses\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTiger\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAsh\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNo Way Sis\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis issue captures the period when Britpop was still dominant while electronic and alternative music were increasingly sharing the mainstream spotlight.\u003c\/p\u003e\n\u003ch3\u003eInside This Issue\u003c\/h3\u003e\n\u003cp\u003eThe photographed contents page provides a very useful overview of what is included.\u003c\/p\u003e\n\u003cp\u003eNotable features include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFACT!\u003c\/strong\u003e – music, film and television news\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFaction\u003c\/strong\u003e – news and scene coverage\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLouder\u003c\/strong\u003e – featuring Reef\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAsh\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpice Girls\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKer-Ching!\u003c\/strong\u003e – music-business themed feature\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOasis Science\u003c\/strong\u003e – a feature analysing the scale and popularity of Oasis\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrbital\u003c\/strong\u003e – interview \/ feature\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eManic Street Preachers\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelect Review of ’96\u003c\/strong\u003e – a substantial retrospective of the year\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecords of the Year\u003c\/strong\u003e – Select’s choices from the previous 12 months\u003c\/li\u003e\n\u003cli\u003eReviews covering artists including \u003cstrong\u003eTiger, 2Pac and Mark Owen\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSingles\u003c\/strong\u003e coverage\u003c\/li\u003e\n\u003cli\u003eFilm, television and entertainment sections\u003c\/li\u003e\n\u003cli\u003eReaders’ poll\u003c\/li\u003e\n\u003cli\u003eListings and regular magazine columns\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe photographed contents page also shows images connected with several of the issue’s features, giving the magazine the busy, collage-heavy visual style associated with mid-1990s British music publishing.\u003c\/p\u003e\n\u003ch3\u003e1996 Music Scene\u003c\/h3\u003e\n\u003cp\u003eA major attraction of this particular issue is its timing. Published in \u003cstrong\u003eJanuary 1997\u003c\/strong\u003e, it effectively acts as a retrospective of the previous year and brings together artists from several major strands of British music.\u003c\/p\u003e\n\u003cp\u003eThere is strong coverage relating to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBritpop\u003c\/li\u003e\n\u003cli\u003eIndie and alternative rock\u003c\/li\u003e\n\u003cli\u003eElectronic and dance music\u003c\/li\u003e\n\u003cli\u003eMainstream pop\u003c\/li\u003e\n\u003cli\u003eUK music culture\u003c\/li\u003e\n\u003cli\u003eAlbums and singles released during 1996\u003c\/li\u003e\n\u003cli\u003eThe wider music press and record industry of the period\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor anyone collecting original material relating to the \u003cstrong\u003e1990s UK music scene\u003c\/strong\u003e, this is a particularly representative issue.\u003c\/p\u003e\n\u003ch3\u003eMagazine Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication:\u003c\/strong\u003e Select\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIssue:\u003c\/strong\u003e No. 70\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull Date:\u003c\/strong\u003e \u003cstrong\u003eJanuary 1997\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal Price:\u003c\/strong\u003e 230p\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Theme:\u003c\/strong\u003e 1996 music retrospective\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre:\u003c\/strong\u003e Music \/ Indie \/ Britpop \/ Alternative \/ Dance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Printed magazine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSKU:\u003c\/strong\u003e 1494\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePre-owned vintage magazine. Please inspect all supplied photographs carefully, as they form an important part of the condition description.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVisible condition includes:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGeneral surface rubbing and handling marks to the front cover\u003c\/li\u003e\n\u003cli\u003eNoticeable wear and light creasing along the \u003cstrong\u003espine\/left edge\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eSmall areas of edge rubbing and colour loss around the cover perimeter\u003c\/li\u003e\n\u003cli\u003eSome creasing to the \u003cstrong\u003elower-left corner and spine area\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eLight wear along the top edge\u003c\/li\u003e\n\u003cli\u003eMinor corner wear, including the top corners\u003c\/li\u003e\n\u003cli\u003eSeveral small surface marks and scratches visible across the bright blue cover\u003c\/li\u003e\n\u003cli\u003eA small light brownish mark\/stain is visible near the \u003cstrong\u003elower centre of the front cover\u003c\/strong\u003e, just above\/around the barcode area\u003c\/li\u003e\n\u003cli\u003eMinor age-related discolouration and handling wear\u003c\/li\u003e\n\u003cli\u003eInterior pages shown remain readable and generally presentable\u003c\/li\u003e\n\u003cli\u003eContents page shows normal light curvature\/handling from use\u003c\/li\u003e\n\u003cli\u003eNo major front-cover tear or large missing section is visible in the supplied photographs\u003c\/li\u003e\n\u003cli\u003eNo obvious handwritten ownership name is visible in the photographed areas\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOverall, this appears to be a \u003cstrong\u003eused but collectible original 1997 copy\u003c\/strong\u003e, showing the normal edge, spine and surface wear expected from a magazine of this age.\u003c\/p\u003e\n\u003ch3\u003eCollector Appeal\u003c\/h3\u003e\n\u003cp\u003eA strong issue for collectors of \u003cstrong\u003e1990s British music memorabilia\u003c\/strong\u003e, especially those interested in \u003cstrong\u003eBritpop, indie, electronic music and the wider 1996 music scene\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe combination of the colourful \u003cstrong\u003e1996 retrospective cover\u003c\/strong\u003e, extensive year-end coverage and appearances from artists including \u003cstrong\u003eOrbital, Manic Street Preachers, Spice Girls, Oasis-related material, Ash, Reef, Super Furry Animals and The Stone Roses\u003c\/strong\u003e gives it broad appeal to collectors of original UK music journalism.\u003c\/p\u003e\n\u003ch3\u003ePostage \u0026amp; Packaging\u003c\/h3\u003e\n\u003cp\u003eThe magazine will be carefully prepared for dispatch. Depending on parcel size, it may be protected using \u003cstrong\u003estiff cardboard, bubble wrap and\/or a cardboard box\u003c\/strong\u003e to help reduce the risk of bending, crushing and damage to the spine, cover, edges and corners while in transit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU 1494\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Select","offers":[{"title":"Default Title","offer_id":54897909825875,"sku":"1494-01-09092026","price":4.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20260902_123219.jpg?v=1788947105"},{"product_id":"select-magazine-november-1997-suede-oasis-radiohead-embrace-lil-kim-bentley-rhythm-ace-sku-1494","title":"Select Magazine November 1997 Suede Oasis Radiohead Embrace Lil Kim Bentley Rhythm Ace SKU 1494","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eOriginal \u003cstrong\u003eSelect magazine dated November 1997, Issue 80\u003c\/strong\u003e, packed with late-1990s British indie, alternative, Britpop and electronic music coverage.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe front cover is dominated by \u003cstrong\u003eSuede\u003c\/strong\u003e, with Brett Anderson and another band member pictured prominently alongside the headline \u003cstrong\u003e“Their Most Revealing Interview Ever”\u003c\/strong\u003e. The issue also heavily promotes an \u003cstrong\u003eOasis \u0026amp; Radiohead Live Special\u003c\/strong\u003e, alongside features on Embrace, Bentley Rhythm Ace, Lil’ Kim and a substantial look at future technology and culture.\u003c\/p\u003e\n\u003cp\u003eThis is a particularly strong period issue from the late-1990s UK music press, combining major Britpop names with alternative, electronic and emerging crossover acts.\u003c\/p\u003e\n\u003ch3\u003eMain Cover Feature – Suede\u003c\/h3\u003e\n\u003cp\u003eThe principal feature is devoted to \u003cstrong\u003eSuede\u003c\/strong\u003e, with the cover advertising an in-depth interview discussing Brett Anderson’s personal history, relationships within the band and wider aspects of his life and career.\u003c\/p\u003e\n\u003cp\u003eThe contents page confirms the main \u003cstrong\u003eSuede cover story begins on page 78\u003c\/strong\u003e, described as a candid interview with Brett discussing subjects including the band’s internal history and personal experiences.\u003c\/p\u003e\n\u003cp\u003eFor collectors of Suede memorabilia, this is a particularly substantial original period feature rather than simply a brief news appearance.\u003c\/p\u003e\n\u003ch3\u003eOther Major Features\u003c\/h3\u003e\n\u003cp\u003eThe photographed contents page shows a very varied selection of music coverage, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eOasis \u0026amp; Radiohead Live Special\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEmbrace\u003c\/strong\u003e – feature beginning on page 42\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSeahorses\u003c\/strong\u003e – page 54\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLil’ Kim\u003c\/strong\u003e – page 64\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Future Is Coming\u003c\/strong\u003e – page 68, examining future science and technology\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCatatonia\u003c\/strong\u003e – page 92\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBentley Rhythm Ace\u003c\/strong\u003e – page 94\u003c\/li\u003e\n\u003cli\u003eExtensive \u003cstrong\u003ealbum reviews\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSingles\u003c\/strong\u003e section\u003c\/li\u003e\n\u003cli\u003eFilm, television, books, games and internet coverage\u003c\/li\u003e\n\u003cli\u003eListings\u003c\/li\u003e\n\u003cli\u003eReaders’ material and regular columns\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe contents also name artists appearing in the review section including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe Verve\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSleeper\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePortishead\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOcean Colour Scene\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBjörk\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRobbie Williams\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe Rolling Stones\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSuede\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCover Highlights\u003c\/h3\u003e\n\u003cp\u003eThe cover itself promotes several significant late-1990s artists and features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eSuede\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOasis\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRadiohead\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEmbrace\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBentley Rhythm Ace\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLil’ Kim\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe Verve album review\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eA feature titled \u003cstrong\u003eFuture Shock – The Insane World of Tomorrow\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe mix of Britpop, indie, hip-hop, electronic music and alternative rock gives this issue broad appeal to collectors of the period.\u003c\/p\u003e\n\u003ch3\u003eFree CD Note\u003c\/h3\u003e\n\u003cp\u003eThe front cover prominently advertises a \u003cstrong\u003e“FREE CD – 70 Minutes of Brilliant Music”\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe CD is not visible in the supplied photographs, so it should not be assumed to be included.\u003c\/strong\u003e The listing is for the magazine as photographed.\u003c\/p\u003e\n\u003ch3\u003eMagazine Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication:\u003c\/strong\u003e Select\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIssue:\u003c\/strong\u003e No. 80\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull Date:\u003c\/strong\u003e \u003cstrong\u003eNovember 1997\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal Price:\u003c\/strong\u003e £2.30\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Cover Feature:\u003c\/strong\u003e Suede\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdditional Featured Artists:\u003c\/strong\u003e Oasis, Radiohead, Embrace, Bentley Rhythm Ace, Lil’ Kim, Catatonia, Seahorses and more\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre:\u003c\/strong\u003e Music \/ Britpop \/ Indie \/ Alternative \/ Electronic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Printed magazine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSKU:\u003c\/strong\u003e 1494\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePre-owned vintage magazine. Please study all supplied photographs carefully as they form part of the condition description.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVisible condition includes:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGeneral age-related handling and surface wear to the front cover\u003c\/li\u003e\n\u003cli\u003eLight rubbing and scuffing, particularly around the darker lower portion of the cover\u003c\/li\u003e\n\u003cli\u003eNoticeable wear along the \u003cstrong\u003espine and left edge\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eSome edge and corner wear\u003c\/li\u003e\n\u003cli\u003eThe \u003cstrong\u003etop-right corner appears slightly bent\/creased\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eLight waviness and handling creases to the cover\u003c\/li\u003e\n\u003cli\u003eSmall marks and surface scratches visible in places\u003c\/li\u003e\n\u003cli\u003eMinor wear around the bottom corners and lower edge\u003c\/li\u003e\n\u003cli\u003eInterior contents page remains clear and readable\u003c\/li\u003e\n\u003cli\u003eInternal pages shown appear generally presentable, with normal age-related handling\u003c\/li\u003e\n\u003cli\u003eNo major detached section or large tear is visible in the supplied images\u003c\/li\u003e\n\u003cli\u003eNo obvious handwriting or ownership marks are visible in the photographed areas\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOverall this presents as a \u003cstrong\u003egenuine used 1997 music magazine with normal vintage storage and handling wear\u003c\/strong\u003e, but remains highly displayable and collectible.\u003c\/p\u003e\n\u003ch3\u003eCollector Appeal\u003c\/h3\u003e\n\u003cp\u003eA strong original issue for collectors interested in \u003cstrong\u003e1990s British music culture\u003c\/strong\u003e, especially \u003cstrong\u003eSuede, Oasis, Radiohead, Britpop and UK alternative music\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe combination of a major Suede cover story, Oasis\/Radiohead live coverage, Embrace, Catatonia, Lil’ Kim and extensive album and singles reviews makes this a useful snapshot of the UK music scene during \u003cstrong\u003elate 1997\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003ePostage \u0026amp; Packaging\u003c\/h3\u003e\n\u003cp\u003eThe magazine will be carefully prepared for dispatch. Depending on parcel size, protective packaging may include \u003cstrong\u003estiff cardboard, bubble wrap and\/or a cardboard box\u003c\/strong\u003e to help protect the cover, spine, edges and corners from bending or crushing in transit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU 1494\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Select","offers":[{"title":"Default Title","offer_id":54897930731859,"sku":"1494-02-09092026","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20260902_123237.jpg?v=1788947450"},{"product_id":"select-magazine-april-1997-chemical-brothers-ash-pavement-placebo-noel-gallagher-sku-1494","title":"Select Magazine April 1997 Chemical Brothers Ash Pavement Placebo Noel Gallagher SKU 1494","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eOriginal \u003cstrong\u003eSelect Magazine – April 1997, Issue No. 81\u003c\/strong\u003e, a strong late-1990s British music issue covering Britpop, indie, alternative rock and electronic music at the height of the era.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe striking front cover is dominated by \u003cstrong\u003eThe Chemical Brothers\u003c\/strong\u003e, with the large headline \u003cstrong\u003e“Smile! You’re Massive!”\u003c\/strong\u003e. The issue also gives prominent coverage to \u003cstrong\u003eAsh\u003c\/strong\u003e, \u003cstrong\u003ePavement\u003c\/strong\u003e, \u003cstrong\u003ePlacebo\u003c\/strong\u003e, \u003cstrong\u003eNoel Gallagher\u003c\/strong\u003e, \u003cstrong\u003eSuede\u003c\/strong\u003e, \u003cstrong\u003eThe Orb\u003c\/strong\u003e and numerous other important names from the 1997 UK music scene. NO POSTERS!\u003c\/p\u003e\n\u003ch3\u003eMain Feature – The Chemical Brothers\u003c\/h3\u003e\n\u003cp\u003eThe major cover story begins on \u003cstrong\u003epage 78\u003c\/strong\u003e and focuses on \u003cstrong\u003eThe Chemical Brothers\u003c\/strong\u003e during their rise as one of the defining electronic acts of the 1990s.\u003c\/p\u003e\n\u003cp\u003eThe contents describe the feature as following the duo from the UK to the United States, covering their experiences around the American MTV and music scene. For collectors of Chemical Brothers material, this is a substantial original period feature from the height of their 1990s success.\u003c\/p\u003e\n\u003ch3\u003eOther Major Features\u003c\/h3\u003e\n\u003cp\u003eThe photographed contents page reveals an excellent selection of features, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAsh – Star Wars Marathon\u003c\/strong\u003e – page 26\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1997 Election Trail\u003c\/strong\u003e – page 38\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePavement\u003c\/strong\u003e – page 48, covering the American indie band\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtreme Fighting\u003c\/strong\u003e – page 56\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlacebo\u003c\/strong\u003e – page 58\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Chemical Brothers\u003c\/strong\u003e – major feature on page 78\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBush\u003c\/strong\u003e – page 88\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCream\u003c\/strong\u003e – page 94\u003c\/li\u003e\n\u003cli\u003eExtensive \u003cstrong\u003ealbum reviews\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSingles\u003c\/strong\u003e reviews\u003c\/li\u003e\n\u003cli\u003eCultural and multimedia coverage\u003c\/li\u003e\n\u003cli\u003ePersonal ads\u003c\/li\u003e\n\u003cli\u003eListings\u003c\/li\u003e\n\u003cli\u003eReaders’ material\u003c\/li\u003e\n\u003cli\u003eRegular columns and features\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Orb \/ Alex Paterson\u003c\/strong\u003e material toward the back of the issue\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eArtists \u0026amp; Music Featured\u003c\/h3\u003e\n\u003cp\u003eThis issue represents a particularly strong snapshot of alternative music in \u003cstrong\u003e1997\u003c\/strong\u003e, with visible references to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Chemical Brothers\u003c\/li\u003e\n\u003cli\u003eAsh\u003c\/li\u003e\n\u003cli\u003ePavement\u003c\/li\u003e\n\u003cli\u003ePlacebo\u003c\/li\u003e\n\u003cli\u003eSuede\u003c\/li\u003e\n\u003cli\u003eThe Orb\u003c\/li\u003e\n\u003cli\u003eNoel Gallagher\u003c\/li\u003e\n\u003cli\u003eBush\u003c\/li\u003e\n\u003cli\u003eCream\u003c\/li\u003e\n\u003cli\u003eBlur\u003c\/li\u003e\n\u003cli\u003eSuper Furry Animals\u003c\/li\u003e\n\u003cli\u003eBeth Orton\u003c\/li\u003e\n\u003cli\u003eOrbital\u003c\/li\u003e\n\u003cli\u003eThe Divine Comedy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe cover also advertises an \u003cstrong\u003eexclusive Noel Gallagher lost interview\u003c\/strong\u003e, adding further Britpop interest.\u003c\/p\u003e\n\u003ch3\u003eCover Details\u003c\/h3\u003e\n\u003cp\u003eThe front uses a bold late-1990s Select design with a large portrait of \u003cstrong\u003eThe Chemical Brothers\u003c\/strong\u003e and several smaller music-related images down the left side.\u003c\/p\u003e\n\u003cp\u003eOther prominent cover lines include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAsh Do The Star Wars All-Nighter\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExclusive! Noel: The Lost Interview\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003ePlacebo\u003c\/li\u003e\n\u003cli\u003eThe Orb At Home\u003c\/li\u003e\n\u003cli\u003eSuede\u003c\/li\u003e\n\u003cli\u003ePavement\u003c\/li\u003e\n\u003cli\u003eChemical Brothers feature\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis is a very recognisable piece of original 1990s UK music-press design.\u003c\/p\u003e\n\u003ch3\u003eMagazine Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication:\u003c\/strong\u003e Select Magazine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIssue:\u003c\/strong\u003e No. 81\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull Date:\u003c\/strong\u003e \u003cstrong\u003eApril 1997\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal Price:\u003c\/strong\u003e £2.30\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Cover Feature:\u003c\/strong\u003e The Chemical Brothers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKey Featured Artists:\u003c\/strong\u003e Chemical Brothers, Ash, Pavement, Placebo, Suede, Noel Gallagher, The Orb, Bush\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre:\u003c\/strong\u003e Britpop \/ Indie \/ Alternative \/ Electronic \/ Rock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Printed magazine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSKU:\u003c\/strong\u003e 1494\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePre-owned vintage magazine with noticeable age and storage wear. Please inspect all photographs carefully as they form an important part of the condition description.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVisible condition points include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGeneral handling, rubbing and surface wear to the front cover\u003c\/li\u003e\n\u003cli\u003eNoticeable \u003cstrong\u003eedge and corner wear\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTop-right corner is creased\/bent and worn\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eWear and small creases around the outer edges\u003c\/li\u003e\n\u003cli\u003eLower-right corner and bottom edge show rubbing and bending\u003c\/li\u003e\n\u003cli\u003eSpine area shows noticeable age-related wear\u003c\/li\u003e\n\u003cli\u003eThe photographed inside front\/spine area shows \u003cstrong\u003esignificant paper wear, tearing\/peeling and brown discolouration\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eSome damage is visible around the inner binding area\u003c\/li\u003e\n\u003cli\u003eInterior pages show typical age-related handling and edge wear\u003c\/li\u003e\n\u003cli\u003eContents page remains clear and readable\u003c\/li\u003e\n\u003cli\u003eSome waviness and creasing is visible around page corners and edges\u003c\/li\u003e\n\u003cli\u003eNo obvious handwriting is visible in the photographed areas\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBecause of the visible deterioration around the internal spine\/binding, this should be regarded as a \u003cstrong\u003eused collector’s copy rather than a pristine example\u003c\/strong\u003e. It nevertheless remains a very attractive original 1997 issue with strong period content.\u003c\/p\u003e\n\u003ch3\u003eCollector Appeal\u003c\/h3\u003e\n\u003cp\u003eA particularly appealing issue for collectors of \u003cstrong\u003e1990s British music magazines, Britpop, indie and electronic music memorabilia\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe combination of \u003cstrong\u003eThe Chemical Brothers, Ash, Pavement, Placebo, Suede, Noel Gallagher and The Orb\u003c\/strong\u003e makes this a strong cross-section of the UK alternative music scene during 1997.\u003c\/p\u003e\n\u003cp\u003eThe original editorial photography, contemporary interviews, music reviews, advertisements and period design also make it an excellent nostalgic reference for the era.\u003c\/p\u003e\n\u003ch3\u003ePostage \u0026amp; Packaging\u003c\/h3\u003e\n\u003cp\u003eThe magazine will be carefully packed for dispatch. Depending on parcel size, protective packaging may include \u003cstrong\u003estiff cardboard, bubble wrap and\/or a cardboard box\u003c\/strong\u003e to help protect the magazine from bending, crushing and further edge or corner damage during transit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU 1494\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Select","offers":[{"title":"Default Title","offer_id":54897970315603,"sku":"1494-03-09092026","price":4.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20260902_123307.jpg?v=1788947755"},{"product_id":"select-magazine-may-1998-liam-gallagher-oasis-elastica-cornershop-pulp-sku-1494","title":"Select Magazine May 1998 Liam Gallagher Oasis Elastica Cornershop Pulp SKU 1494","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp\u003eOriginal \u003cstrong\u003eSelect Magazine – May 1998\u003c\/strong\u003e, a strong late-1990s British music issue centred on \u003cstrong\u003eLiam Gallagher\u003c\/strong\u003e and the wider alternative, indie, Britpop and electronic music scene.\u003c\/p\u003e\n\u003cp\u003eThe front cover is dominated by a close-up portrait of \u003cstrong\u003eLiam Gallagher\u003c\/strong\u003e, with the headline questioning his public image and a major feature promising that \u003cstrong\u003efriends and enemies tell the truth\u003c\/strong\u003e, alongside a \u003cstrong\u003elost interview\u003c\/strong\u003e. It is a very recognisable late-1990s Select cover and should appeal especially to collectors of Oasis and Britpop-era music press.\u003c\/p\u003e\n\u003cp\u003eThe cover also advertises substantial coverage of:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eElastica\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePulp\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCornershop\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAcid House\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSmashing Pumpkins\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMassive Attack\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eShed Seven\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTherapy?\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCarl Cox\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eLiam Gallagher \/ Oasis Feature\u003c\/h3\u003e\n\u003cp\u003eThe main feature is listed in the contents as \u003cstrong\u003e“Liam: God or Gibbon?”\u003c\/strong\u003e on page 58.\u003c\/p\u003e\n\u003cp\u003eThe article is described as examining Gallagher through the views of \u003cstrong\u003efriends and foes\u003c\/strong\u003e, looking at his personality and public reputation. The contents specifically mention contributions or perspectives involving names including \u003cstrong\u003eGeorge Martin, Tony McCarroll, Patsy Kensit and Noel Gallagher\u003c\/strong\u003e, together with a \u003cstrong\u003elost classic Liam interview from 1994\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFor an Oasis collector, this is the clear highlight of the issue: an original period piece from 1998 rather than a later retrospective.\u003c\/p\u003e\n\u003ch3\u003eOther Major Features\u003c\/h3\u003e\n\u003cp\u003eThe contents page shows a broad and very period-specific mix of music and culture coverage, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eElastica\u003c\/strong\u003e – page 22, with a feature asking what happened to their album and examining the band’s direction\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCornershop\u003c\/strong\u003e – page 28, covering the band while touring the United States\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelics\u003c\/strong\u003e – page 36, looking at older music formats and technology\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTheaudience\u003c\/strong\u003e – page 38\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcid House – An Oral History\u003c\/strong\u003e – page 42, tracing the rise and influence of acid house\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLes Rythmes Digitales\u003c\/strong\u003e – page 52\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShed Seven\u003c\/strong\u003e – page 54\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLiam Gallagher \/ Oasis\u003c\/strong\u003e – page 58\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCarl Cox\u003c\/strong\u003e – “In Residence” on page 120\u003c\/li\u003e\n\u003cli\u003eExtensive album, singles, film, TV, games, print and internet coverage\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe issue also carries a large \u003cstrong\u003eServer – The Month Ahead\u003c\/strong\u003e section previewing music, film, television, books, games, fashion, tours and other contemporary entertainment.\u003c\/p\u003e\n\u003ch3\u003eAlbum \u0026amp; Singles Coverage\u003c\/h3\u003e\n\u003cp\u003eThe contents specifically mention album reviews including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePulp\u003c\/li\u003e\n\u003cli\u003eBernard Butler\u003c\/li\u003e\n\u003cli\u003eMassive Attack\u003c\/li\u003e\n\u003cli\u003eCappadonna\u003c\/li\u003e\n\u003cli\u003eMarion\u003c\/li\u003e\n\u003cli\u003eBuffalo Daughter\u003c\/li\u003e\n\u003cli\u003eGomez\u003c\/li\u003e\n\u003cli\u003eMoodman\u003c\/li\u003e\n\u003cli\u003eand many more\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe singles section also covers a wide range of contemporary releases, reinforcing this as a strong snapshot of the UK music scene in \u003cstrong\u003eMay 1998\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003eMagazine Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication:\u003c\/strong\u003e Select Magazine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull Date:\u003c\/strong\u003e \u003cstrong\u003eMay 1998\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal Price:\u003c\/strong\u003e £2.40\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Cover Star:\u003c\/strong\u003e Liam Gallagher\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Feature:\u003c\/strong\u003e Liam Gallagher \/ Oasis\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOther Featured Artists:\u003c\/strong\u003e Elastica, Pulp, Cornershop, Smashing Pumpkins, Massive Attack, Shed Seven, Therapy?, Carl Cox\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre:\u003c\/strong\u003e Britpop \/ Indie \/ Alternative \/ Electronic \/ Rock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Printed magazine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSKU:\u003c\/strong\u003e 1494\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePre-owned vintage magazine with visible age and handling wear. Please study the photographs carefully as they form an important part of the condition description.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVisible condition points include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGeneral light surface wear and rubbing to the front cover\u003c\/li\u003e\n\u003cli\u003eLight edge wear around the perimeter\u003c\/li\u003e\n\u003cli\u003eMinor corner wear and small bends\u003c\/li\u003e\n\u003cli\u003eSlight waviness\/curvature from storage and age\u003c\/li\u003e\n\u003cli\u003eSome light wear around the spine\u003c\/li\u003e\n\u003cli\u003eInterior contents page appears clean, bright and clearly readable\u003c\/li\u003e\n\u003cli\u003eNo obvious major tears are visible in the photographed pages\u003c\/li\u003e\n\u003cli\u003eNo obvious handwriting is visible in the photographed areas\u003c\/li\u003e\n\u003cli\u003ePages appear intact in the supplied images\u003c\/li\u003e\n\u003cli\u003eSome small marks and typical age-related handling are present\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOverall, this presents as a \u003cstrong\u003egood used vintage copy for its age\u003c\/strong\u003e, but it is not mint and should be purchased with the visible handling and storage wear in mind.\u003c\/p\u003e\n\u003ch3\u003eCollector Appeal\u003c\/h3\u003e\n\u003cp\u003eA particularly good issue for collectors of:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOasis, Liam Gallagher, Britpop, 1990s indie, Select Magazine and original UK music journalism.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIts appeal is strengthened by the substantial Liam Gallagher feature, the \u003cstrong\u003e1994 lost interview\u003c\/strong\u003e, and supporting coverage of important late-1990s acts including \u003cstrong\u003ePulp, Elastica, Massive Attack, Cornershop and Smashing Pumpkins\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe period advertisements, reviews, photographs, cultural commentary and listings also make this a useful original reference piece for the music and entertainment scene of \u003cstrong\u003e1998\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003ePostage \u0026amp; Packaging\u003c\/h3\u003e\n\u003cp\u003eThe magazine will be carefully packed for dispatch. Depending on parcel size, protective packaging may include \u003cstrong\u003estiff cardboard, bubble wrap and\/or a cardboard box\u003c\/strong\u003e to help reduce the risk of bending, crushing and further edge or corner damage during transit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU 1494\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Select","offers":[{"title":"Default Title","offer_id":54898047189331,"sku":"1494-04-09092026","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20260902_123328.jpg?v=1788947897"},{"product_id":"select-magazine-may-1997-john-squire-the-seahorses-reef-robbie-williams-sku-1494","title":"Select Magazine May 1997 John Squire The Seahorses Reef Robbie Williams SKU 1494","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp\u003eOriginal \u003cstrong\u003eSelect Magazine – May 1997, Issue No. 82\u003c\/strong\u003e, a strong late-1990s British music magazine featuring \u003cstrong\u003eJohn Squire\u003c\/strong\u003e as the main cover subject and extensive coverage of \u003cstrong\u003eThe Seahorses\u003c\/strong\u003e, alongside a wide range of Britpop, indie, dance and alternative acts from the period.\u003c\/p\u003e\n\u003cp\u003eThe striking cover is dominated by \u003cstrong\u003eJohn Squire\u003c\/strong\u003e, formerly of The Stone Roses, with the headline \u003cstrong\u003e“John Squire presents The Seahorses!”\u003c\/strong\u003e and a prominent \u003cstrong\u003e“Stone Roses? Who?!”\u003c\/strong\u003e teaser. The cover also promotes a large \u003cstrong\u003e22-page Millennium countdown special\u003c\/strong\u003e, making this a particularly distinctive snapshot of British music culture approaching the end of the 1990s.\u003c\/p\u003e\n\u003cp\u003eOther names clearly promoted on the cover include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eReef\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSupergrass\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe Chemical Brothers\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe Charlatans\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRobbie Williams\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnt \u0026amp; Dec\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe Aloof\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe cover additionally teases a tongue-in-cheek millennium feature involving \u003cstrong\u003eKula Shaker, Cast, Ice-T, Satan, Jesus\u003c\/strong\u003e and others.\u003c\/p\u003e\n\u003ch3\u003eJohn Squire \/ The Seahorses Feature\u003c\/h3\u003e\n\u003cp\u003eThe principal feature begins on \u003cstrong\u003epage 78\u003c\/strong\u003e and is devoted to \u003cstrong\u003eThe Seahorses\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe contents describe it as a \u003cstrong\u003eworld exclusive\u003c\/strong\u003e, covering the band recording in Los Angeles with \u003cstrong\u003eTony Visconti\u003c\/strong\u003e, with \u003cstrong\u003eJohn Squire\u003c\/strong\u003e and his new band discussing their music and the launch of their post-Stone Roses career.\u003c\/p\u003e\n\u003cp\u003eFor collectors of \u003cstrong\u003eThe Stone Roses, John Squire or The Seahorses\u003c\/strong\u003e, this is one of the major attractions of the issue, capturing Squire during the very early Seahorses period rather than through a later retrospective.\u003c\/p\u003e\n\u003ch3\u003eMajor Features \u0026amp; Articles\u003c\/h3\u003e\n\u003cp\u003eThe photographed contents page gives an unusually good overview of what is inside. Highlights include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFact!\u003c\/strong\u003e – contemporary music and pop-culture miscellany\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFaction\u003c\/strong\u003e – humour and satirical material\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLouder\u003c\/strong\u003e – coverage including Gorky’s Zygotic Mynci, Soft Dolls and The Aloof\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRobbie Williams – page 24\u003c\/strong\u003e\u003cbr\u003eFeature on Robbie as he moved into his solo career after Take That\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFirst Bass – page 30\u003c\/strong\u003e\u003cbr\u003eIncludes \u003cstrong\u003eCarl Cox\u003c\/strong\u003e, Acid Brass and other contemporary artists\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReef – page 36\u003c\/strong\u003e\u003cbr\u003eThe band celebrating their number-one success while touring\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eKer-Ching! – page 43\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCan – page 44\u003c\/strong\u003e\u003cbr\u003eLooking at the influential German group\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMillennium Special – page 48\u003c\/strong\u003e\u003cbr\u003eA major feature imagining and counting down toward the year 2000\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Seahorses – page 78\u003c\/strong\u003e\u003cbr\u003eMajor John Squire feature and world exclusive\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReviews – page 89\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSingles – page 110\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCultural Vacuum – page 112\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePersonal Ads – page 122\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eListings – page 131\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThink Tank – page 133\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReaders’ Lives – page 135\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHouse Beautiful – page 136\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eQuantick’s World – page 138\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAlbum \u0026amp; Music Coverage\u003c\/h3\u003e\n\u003cp\u003eThe review section advertised inside includes a particularly strong selection of late-1990s releases and artists, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eSupergrass\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe Chemical Brothers\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe Charlatans\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCast\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eKenickie\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBentley Rhythm Ace\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eand numerous additional contemporary releases\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThere is also coverage connected with \u003cstrong\u003eCarl Cox\u003c\/strong\u003e, dance music, Britpop, alternative rock and the wider UK music scene.\u003c\/p\u003e\n\u003ch3\u003eMillennium Special\u003c\/h3\u003e\n\u003cp\u003eOne of the defining features of this issue is its substantial \u003cstrong\u003eMillennium Special\u003c\/strong\u003e, promoted on the front cover as a \u003cstrong\u003e22-page countdown\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe contents describe the section as looking ahead toward the year 2000 with contributions and predictions from musicians, comedians and other cultural figures. It gives the magazine particularly strong period character and makes it an interesting original document of how British pop culture viewed the approaching millennium in \u003cstrong\u003e1997\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003eMagazine Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication:\u003c\/strong\u003e Select\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIssue:\u003c\/strong\u003e No. 82\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull Date:\u003c\/strong\u003e \u003cstrong\u003eMay 1997\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal Price:\u003c\/strong\u003e £2.30\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Cover Subject:\u003c\/strong\u003e John Squire\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Band Feature:\u003c\/strong\u003e The Seahorses\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOther Featured Artists:\u003c\/strong\u003e Reef, Robbie Williams, Supergrass, Chemical Brothers, Charlatans, Carl Cox, The Aloof, Can and others\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre:\u003c\/strong\u003e Britpop \/ Indie \/ Alternative \/ Dance \/ Rock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Original printed music magazine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSKU:\u003c\/strong\u003e 1494\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePre-owned vintage magazine with visible age and handling wear. Please examine all photographs carefully, as they form an important part of the condition description.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the supplied images, visible points include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGeneral light surface and handling wear to the front cover\u003c\/li\u003e\n\u003cli\u003eSome small marks and rubbing consistent with age\u003c\/li\u003e\n\u003cli\u003eNoticeable but relatively light wear along the spine\u003c\/li\u003e\n\u003cli\u003eEdge wear around the outer perimeter\u003c\/li\u003e\n\u003cli\u003eSmall corner bends\/creasing, particularly around the upper-right area\u003c\/li\u003e\n\u003cli\u003eMinor curling and waviness to the cover and page edges\u003c\/li\u003e\n\u003cli\u003eBottom corners show light rubbing and softening\u003c\/li\u003e\n\u003cli\u003eThe cover remains bright and highly presentable overall\u003c\/li\u003e\n\u003cli\u003eInterior contents page remains clear, colourful and readable\u003c\/li\u003e\n\u003cli\u003eInternal pages shown appear securely bound\u003c\/li\u003e\n\u003cli\u003eNo major tears are obvious in the photographed interior pages\u003c\/li\u003e\n\u003cli\u003eNo obvious handwriting or heavy staining is visible in the supplied photographs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOverall, this appears to be a \u003cstrong\u003egood used vintage copy for a 1997 music magazine\u003c\/strong\u003e, with normal storage and reading wear rather than collector-grade mint condition.\u003c\/p\u003e\n\u003ch3\u003eCollector Appeal\u003c\/h3\u003e\n\u003cp\u003eA particularly interesting issue for collectors of:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Squire, The Seahorses, The Stone Roses, Reef, Robbie Williams, Supergrass, Chemical Brothers, The Charlatans, Britpop, 1990s indie music and Select Magazine.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe combination of the early \u003cstrong\u003eSeahorses world-exclusive feature\u003c\/strong\u003e, Robbie Williams coverage and the extensive \u003cstrong\u003eMillennium Special\u003c\/strong\u003e gives this issue plenty of period-specific content beyond the cover alone.\u003c\/p\u003e\n\u003cp\u003eThe reviews, photographs, adverts, artist interviews, cultural commentary and listings collectively provide an excellent snapshot of the \u003cstrong\u003eUK music scene in May 1997\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003ePostage \u0026amp; Packaging\u003c\/h3\u003e\n\u003cp\u003eThe magazine will be carefully protected for dispatch. Depending on the size and weight of the finished parcel, packaging may include \u003cstrong\u003estiff cardboard, protective bubble wrap and\/or a cardboard box\u003c\/strong\u003e to help minimise bending, crushing and additional edge or corner wear during transit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU 1494\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Select","offers":[{"title":"Default Title","offer_id":54898062852435,"sku":"1494-05-09092026","price":7.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20260902_123345.jpg?v=1788948010"},{"product_id":"select-magazine-august-1997-oasis-noel-liam-gallagher-prodigy-glastonbury-sku-1494","title":"Select Magazine August 1997 Oasis Noel Liam Gallagher Prodigy Glastonbury SKU 1494","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eOriginal \u003cstrong\u003eSelect Magazine – August 1997, Issue No. 85\u003c\/strong\u003e, with an extensive \u003cstrong\u003eOasis special\u003c\/strong\u003e dominating the issue and the band featured across the front cover.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a particularly strong late-1990s Britpop issue, published at the height of Oasis mania and shortly before the release of \u003cem\u003eBe Here Now\u003c\/em\u003e. The cover promotes a \u003cstrong\u003eworld-exclusive Oasis issue with 30 pages of interviews and pictures\u003c\/strong\u003e, making this a highly relevant period magazine for Oasis, Noel Gallagher, Liam Gallagher and 1990s British music collectors.\u003c\/p\u003e\n\u003cp\u003eThe front cover features \u003cstrong\u003eLiam Gallagher, Noel Gallagher, Paul “Bonehead” Arthurs, Paul McGuigan and Alan White\u003c\/strong\u003e, with the large headline:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“Nice planet. We’ll take it!”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eand \u003cstrong\u003e“The Oasis Issue – 30 pages of interviews \u0026amp; pictures.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eExtensive Oasis Special\u003c\/h3\u003e\n\u003cp\u003eThe photographed contents page confirms a substantial Oasis section beginning on page 34 and running across multiple individual features.\u003c\/p\u003e\n\u003cp\u003eHighlights include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Band – page 34\u003c\/strong\u003e\u003cbr\u003eA group-focused feature bringing the five members together.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLiam – page 46\u003c\/strong\u003e\u003cbr\u003eA dedicated Liam Gallagher interview, billed as an early solo interview and presented as an in-depth look at the Oasis frontman.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Other Three – page 54\u003c\/strong\u003e\u003cbr\u003eCoverage of the other Oasis members away from the Gallagher brothers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Songs – page 60\u003c\/strong\u003e\u003cbr\u003eA major examination of Oasis songs, presented as a comprehensive look at the band’s catalogue.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoel – page 80\u003c\/strong\u003e\u003cbr\u003eA dedicated Noel Gallagher feature discussing subjects including marriage, America and the wider Oasis story.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor an Oasis collector, the amount of contemporary material in this single issue is one of its strongest selling points. It captures the group while they were still one of the biggest bands in Britain and provides period photography, interviews and commentary rather than later retrospective coverage.\u003c\/p\u003e\n\u003ch3\u003eGlastonbury 1997 Pull-Out\u003c\/h3\u003e\n\u003cp\u003eThe magazine also includes a substantial \u003cstrong\u003e16-page Glastonbury 1997 pull-out\u003c\/strong\u003e, and this is clearly visible in the supplied photographs.\u003c\/p\u003e\n\u003cp\u003eThe photographed opening spread carries the headline \u003cstrong\u003e“Glastonbury ’97 – We won!”\u003c\/strong\u003e and describes the famously muddy festival, with coverage presented as a full souvenir-style report.\u003c\/p\u003e\n\u003cp\u003eThe pull-out is advertised as covering:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eReviews\u003c\/li\u003e\n\u003cli\u003eCelebrity encounters\u003c\/li\u003e\n\u003cli\u003eBackstage stories\u003c\/li\u003e\n\u003cli\u003eFestival photographs\u003c\/li\u003e\n\u003cli\u003eFestival atmosphere and mud-soaked scenes\u003c\/li\u003e\n\u003cli\u003eA broad account of the 1997 event\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe photographed spread shows festivalgoers heavily covered in mud and describes the event as one of the strongest Glastonbury festivals despite the famously difficult weather conditions.\u003c\/p\u003e\n\u003cp\u003eThis section is especially interesting as an original contemporary record of \u003cstrong\u003eGlastonbury Festival 1997\u003c\/strong\u003e, rather than a later retrospective.\u003c\/p\u003e\n\u003ch3\u003eOther Major Music Coverage\u003c\/h3\u003e\n\u003cp\u003eThe contents and cover also advertise a wide selection of significant 1997 artists and features, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Prodigy\u003c\/strong\u003e – album coverage, with Liam Howlett quoted on the front cover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrimal Scream\u003c\/strong\u003e – live special\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eManic Street Preachers\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePaul Weller\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe Verve\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOrbital\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTribal\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eAdditional reviews, singles and contemporary alternative-music coverage\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe front cover specifically promotes a \u003cstrong\u003eProdigy album feature\u003c\/strong\u003e, with Liam Howlett describing the record as a new-wave rock record.\u003c\/p\u003e\n\u003ch3\u003eInside the Magazine\u003c\/h3\u003e\n\u003cp\u003eThe contents page shows a broad mixture of music journalism and late-1990s culture, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFact! – page 4\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFaction – page 16\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLouder – page 18\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFirst Bass – page 30\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOasis Special – from page 34\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eGlastonbury Pull-Out – page 63\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReviews – page 91\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSingles – page 112\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCultural Vacuum – page 114\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eListings – page 122\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePersonals – page 125\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThink Tank – page 133\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReaders’ Lives – page 134\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHouse Beautiful – page 136\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eQuantick’s World – page 138\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe issue therefore offers much more than the cover feature, with reviews, live reports, humour, contemporary fashion\/consumer references, music listings and period advertising throughout.\u003c\/p\u003e\n\u003ch3\u003eMagazine Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication:\u003c\/strong\u003e Select\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull Date:\u003c\/strong\u003e \u003cstrong\u003eAugust 1997\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIssue:\u003c\/strong\u003e No. 85\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal Price:\u003c\/strong\u003e £2.30\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Feature:\u003c\/strong\u003e Oasis\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Cover Subjects:\u003c\/strong\u003e Liam Gallagher, Noel Gallagher and Oasis\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdditional Coverage:\u003c\/strong\u003e The Prodigy, Primal Scream, Manic Street Preachers, Paul Weller and others\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpecial Feature:\u003c\/strong\u003e 16-page Glastonbury 1997 pull-out\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre:\u003c\/strong\u003e Britpop \/ Indie \/ Alternative \/ Rock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Original printed music magazine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSKU:\u003c\/strong\u003e 1494\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePre-owned vintage magazine with visible age-related and handling wear. Please study all supplied photographs carefully, as they form an important part of the condition description.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVisible condition points include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGeneral light surface wear from storage and handling\u003c\/li\u003e\n\u003cli\u003eSome rubbing and small marks to the front cover\u003c\/li\u003e\n\u003cli\u003eWear along the spine and outer edges\u003c\/li\u003e\n\u003cli\u003eLight corner wear and softening\u003c\/li\u003e\n\u003cli\u003eNoticeable creasing around the upper-right cover area\u003c\/li\u003e\n\u003cli\u003eSlight waviness\/curling to the cover and page edges\u003c\/li\u003e\n\u003cli\u003eLower corners and bottom edge show light rubbing\u003c\/li\u003e\n\u003cli\u003eInterior pages shown remain colourful and clearly readable\u003c\/li\u003e\n\u003cli\u003eThe contents page appears securely attached\u003c\/li\u003e\n\u003cli\u003eThe Glastonbury pull-out shown is present and opens correctly\u003c\/li\u003e\n\u003cli\u003eNo major internal tears are obvious in the supplied photographs\u003c\/li\u003e\n\u003cli\u003eNo obvious handwriting or heavy staining is visible in the photographed sections\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOverall this appears to be a \u003cstrong\u003egood used vintage copy for its age\u003c\/strong\u003e, retaining strong colour and excellent period content but with the normal handling and storage wear expected from a magazine dating from 1997.\u003c\/p\u003e\n\u003ch3\u003eCollector Appeal\u003c\/h3\u003e\n\u003cp\u003eA strong issue for collectors of:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOasis, Liam Gallagher, Noel Gallagher, Britpop, Glastonbury Festival, The Prodigy, Primal Scream, Manic Street Preachers, Paul Weller, 1990s indie music and Select Magazine.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe combination of the \u003cstrong\u003e30-page Oasis special\u003c\/strong\u003e, extensive Gallagher interviews and the \u003cstrong\u003eGlastonbury 1997 pull-out\u003c\/strong\u003e makes this a particularly appealing period issue from one of the defining years of Britpop.\u003c\/p\u003e\n\u003ch3\u003ePostage \u0026amp; Packaging\u003c\/h3\u003e\n\u003cp\u003eThe magazine will be carefully protected for dispatch. Depending on the size and weight of the finished parcel, it may be packed using \u003cstrong\u003estiff cardboard, protective bubble wrap and\/or a cardboard box\u003c\/strong\u003e to help reduce the risk of bending, crushing and additional edge or corner damage during transit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU 1494\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Select","offers":[{"title":"Default Title","offer_id":54898091229523,"sku":"1494-06-09092026","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20260902_123404.jpg?v=1788948107"},{"product_id":"select-magazine-july-1998-catatonia-cerys-matthews-smashing-pumpkins-fatboy-slim-sku-1494","title":"Select Magazine July 1998 Catatonia Cerys Matthews Smashing Pumpkins Fatboy Slim SKU 1494","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eOriginal \u003cstrong\u003eSelect Magazine – July 1998\u003c\/strong\u003e, a strong late-1990s British music issue with \u003cstrong\u003eCerys Matthews of Catatonia\u003c\/strong\u003e as the main cover feature.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe cover presents Catatonia as one of 1998’s major breakthrough acts, with the headline:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“Catatonia – True romance and total excess: the life and loves of 1998’s first proper star.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a particularly good period issue for collectors of \u003cstrong\u003eCatatonia, Cerys Matthews, Britpop, indie, alternative rock and late-1990s UK music culture\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003eMain Catatonia Feature\u003c\/h3\u003e\n\u003cp\u003eThe contents page confirms the main Catatonia feature begins on \u003cstrong\u003epage 64\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe issue describes Cerys Matthews as the new “Princess of Wales” and looks at the band during the height of their commercial breakthrough. This places the magazine firmly within the period when Catatonia were becoming one of the most recognisable British alternative bands of the late 1990s.\u003c\/p\u003e\n\u003cp\u003eThe cover itself features a large studio portrait of Cerys Matthews against a warm gold background, making this an attractive issue for Catatonia collectors.\u003c\/p\u003e\n\u003ch3\u003eGlastonbury 1998 Preview\u003c\/h3\u003e\n\u003cp\u003eA major part of this issue is the \u003cstrong\u003e“Ultimate Glastonbury Preview”\u003c\/strong\u003e, promoted prominently across the top of the front cover.\u003c\/p\u003e\n\u003cp\u003eThe contents page identifies an \u003cstrong\u003eeight-page Glastonbury preview beginning on page 27\u003c\/strong\u003e, covering what to expect from that year’s festival and including material relating to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eBlur\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePulp\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePrimal Scream\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpace\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRobbie Williams\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBentley Rhythm Ace\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlacebo\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eManic Street Preachers\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePlus additional festival acts\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe preview also includes festival-related information such as:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRunning order\u003c\/li\u003e\n\u003cli\u003eLong-term weather forecast\u003c\/li\u003e\n\u003cli\u003eTicket information\u003c\/li\u003e\n\u003cli\u003eCamping information\u003c\/li\u003e\n\u003cli\u003ePrevious Glastonbury coverage and memories\u003c\/li\u003e\n\u003cli\u003eFestival culture and practical advice\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis gives the issue additional appeal to collectors of \u003cstrong\u003eGlastonbury Festival memorabilia and 1990s festival culture\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003eSmashing Pumpkins\u003c\/h3\u003e\n\u003cp\u003eThe magazine also includes a dedicated \u003cstrong\u003eSmashing Pumpkins\u003c\/strong\u003e feature beginning on \u003cstrong\u003epage 40\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe contents describe it as an unusual and humorous interview involving \u003cstrong\u003eBilly Corgan, James Iha and D’Arcy Wretzky\u003c\/strong\u003e, offering a period snapshot of the band during one of their most interesting late-1990s phases.\u003c\/p\u003e\n\u003ch3\u003eFatboy Slim \/ Breezeblock Tour\u003c\/h3\u003e\n\u003cp\u003eA feature beginning on \u003cstrong\u003epage 48\u003c\/strong\u003e covers the \u003cstrong\u003eBreezeblock Tour\u003c\/strong\u003e, with notable names including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFatboy Slim\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLo-Fidelity Allstars\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDavid Holmes\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eOther contemporary dance and electronic acts\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis makes the issue useful not only to Britpop collectors but also to fans of late-1990s electronic, big beat and club culture.\u003c\/p\u003e\n\u003ch3\u003eOther Notable Coverage\u003c\/h3\u003e\n\u003cp\u003eThe front cover and contents also advertise or include features involving:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eDandy Warhols\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBluetones\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEmbrace\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBlur\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePulp\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePrimal Scream\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpace\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRobbie Williams\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSmashing Pumpkins\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFatboy Slim\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAlabama 3\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDeep Dish\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBarry Adamson\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e60ft Dolls\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDJ Shadow\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMarilyn Manson\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA-Ha\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe Jesus and Mary Chain\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThierry Corporation\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLaurent Garnier\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCatatonia\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpiritualized\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe issue therefore gives a very broad snapshot of British and international alternative music culture in \u003cstrong\u003esummer 1998\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003eInside the Magazine\u003c\/h3\u003e\n\u003cp\u003eThe photographed contents page shows sections including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eVerbiage – page 4\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePrimer – page 6\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCalendar – page 20\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eConnection – page 22\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eGlastonbury Preview – page 27\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSmashing Pumpkins – page 40\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRelics – page 46\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBreezeblock Tour – page 48\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAlabama 3 – page 54\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStars In Their Eyes – page 60\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCatatonia – page 64\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePersonal Ads – page 108\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThink Tank – page 118\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIn Residence – page 120\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHave You Ever? – page 122\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe \u003cstrong\u003eServer\u003c\/strong\u003e section also includes extensive monthly coverage of:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAlbums\u003c\/li\u003e\n\u003cli\u003eSingles\u003c\/li\u003e\n\u003cli\u003eFilms\u003c\/li\u003e\n\u003cli\u003eGames\u003c\/li\u003e\n\u003cli\u003eTelevision\u003c\/li\u003e\n\u003cli\u003eBooks and print\u003c\/li\u003e\n\u003cli\u003eInternet\u003c\/li\u003e\n\u003cli\u003eClothes and fashion\u003c\/li\u003e\n\u003cli\u003eListings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMagazine Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication:\u003c\/strong\u003e Select\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull Date:\u003c\/strong\u003e \u003cstrong\u003eJuly 1998\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal Price:\u003c\/strong\u003e £2.40\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Cover Subject:\u003c\/strong\u003e Cerys Matthews \/ Catatonia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Feature:\u003c\/strong\u003e Catatonia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdditional Features:\u003c\/strong\u003e Smashing Pumpkins, Fatboy Slim, Dandy Warhols, Bluetones, Embrace and many more\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFestival Feature:\u003c\/strong\u003e Glastonbury 1998 preview\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre:\u003c\/strong\u003e Britpop \/ Indie \/ Alternative \/ Rock \/ Electronic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Original printed music magazine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSKU:\u003c\/strong\u003e 1494\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePre-owned vintage magazine with visible age and handling wear. Please study all supplied photographs carefully as they form an important part of the condition description.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVisible condition points include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGeneral light surface wear to the front cover\u003c\/li\u003e\n\u003cli\u003eLight rubbing and marks consistent with age\u003c\/li\u003e\n\u003cli\u003eNoticeable wear along the spine and outer edges\u003c\/li\u003e\n\u003cli\u003eLight creasing to the front cover\u003c\/li\u003e\n\u003cli\u003eSmall bends and softening to the corners\u003c\/li\u003e\n\u003cli\u003eBottom-right corner shows visible creasing and wear\u003c\/li\u003e\n\u003cli\u003eLight edge wear along the lower cover\u003c\/li\u003e\n\u003cli\u003eSome slight waviness\/curling to the cover and pages\u003c\/li\u003e\n\u003cli\u003eInterior pages shown appear clean, colourful and clearly readable\u003c\/li\u003e\n\u003cli\u003eContents page remains well presented\u003c\/li\u003e\n\u003cli\u003eNo major internal tears are obvious in the supplied images\u003c\/li\u003e\n\u003cli\u003eNo obvious handwriting is visible in the photographed sections\u003c\/li\u003e\n\u003cli\u003eBinding appears intact from the photographs provided\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOverall, this appears to be a \u003cstrong\u003egood used vintage copy for its age\u003c\/strong\u003e, with expected handling and storage wear but strong presentation and desirable late-1990s music content.\u003c\/p\u003e\n\u003ch3\u003eCollector Appeal\u003c\/h3\u003e\n\u003cp\u003eA strong original issue for collectors of:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatatonia, Cerys Matthews, Smashing Pumpkins, Fatboy Slim, Glastonbury Festival, Britpop, indie rock, alternative music, electronic music and Select Magazine.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe combination of the \u003cstrong\u003eCatatonia cover feature\u003c\/strong\u003e, \u003cstrong\u003eGlastonbury 1998 preview\u003c\/strong\u003e and extensive coverage of major 1990s artists makes this an excellent period music magazine.\u003c\/p\u003e\n\u003ch3\u003ePostage \u0026amp; Packaging\u003c\/h3\u003e\n\u003cp\u003eThe magazine will be carefully protected for dispatch. Depending on the size and weight of the finished parcel, it may be packed using \u003cstrong\u003estiff cardboard, protective bubble wrap and\/or a cardboard box\u003c\/strong\u003e to help reduce the risk of bending, crushing and additional edge or corner damage during transit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU 1494\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Select","offers":[{"title":"Default Title","offer_id":54898139136339,"sku":"1494-07-09092026","price":6.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20260902_123543.jpg?v=1788948248"},{"product_id":"select-magazine-october-1996-oasis-liam-gallagher-knebworth-loch-lomond-sku-1494","title":"Select Magazine October 1996 Oasis Liam Gallagher Knebworth Loch Lomond SKU 1494","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp\u003eOriginal \u003cstrong\u003eSelect Magazine – October 1996\u003c\/strong\u003e, a highly collectible mid-1990s British music issue dominated by \u003cstrong\u003eOasis\u003c\/strong\u003e and their enormous \u003cstrong\u003eKnebworth and Loch Lomond concerts\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis is a \u003cstrong\u003eDouble Cover Collectors’ Edition\u003c\/strong\u003e. The photographed copy features \u003cstrong\u003eLiam Gallagher\u003c\/strong\u003e on the main cover wearing blue-tinted sunglasses, surrounded by black-and-white crowd imagery, with the huge headline:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“MIND-BLOWING! Knebworth and Loch Lomond – The Only Interview • The Full Story”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe inside contents page identifies this as \u003cstrong\u003eOctober 1996 \/ No. 76\u003c\/strong\u003e and shows that Oasis receive extensive coverage throughout the issue.\u003c\/p\u003e\n\u003ch3\u003eOasis – Knebworth \u0026amp; Loch Lomond\u003c\/h3\u003e\n\u003cp\u003eThe centrepiece of this issue is the massive \u003cstrong\u003e“Oasis Apocalypse”\u003c\/strong\u003e feature beginning on \u003cstrong\u003epage 90\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe contents specifically advertise coverage of:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eKnebworth\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLoch Lomond\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eOasis live during one of the defining moments of 1990s British music\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNoel Gallagher interview\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eThe story surrounding the huge concerts\u003c\/li\u003e\n\u003cli\u003eContemporary photographs and behind-the-scenes reporting\u003c\/li\u003e\n\u003cli\u003eThe sheer scale of Oasis at their commercial and cultural peak\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe contents image also shows concert photographs of both \u003cstrong\u003eLiam Gallagher\u003c\/strong\u003e and \u003cstrong\u003eNoel Gallagher\u003c\/strong\u003e, reinforcing how heavily this issue focuses on the band.\u003c\/p\u003e\n\u003cp\u003eFor an Oasis collector, this is an especially interesting period issue because it documents the band immediately after the extraordinary \u003cstrong\u003e1996 Knebworth era\u003c\/strong\u003e, one of the most famous episodes in Britpop history.\u003c\/p\u003e\n\u003ch3\u003eOther Major Features\u003c\/h3\u003e\n\u003cp\u003eThe issue contains a broad selection of important mid-90s British and alternative music coverage.\u003c\/p\u003e\n\u003cp\u003eProminent features shown in the contents include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eKula Shaker – page 22\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eExtensive feature on the band during their breakthrough period\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRoskilde Festival – page 34\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eCoverage of the Danish festival and its major performers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModern TV Is Rubbish – page 42\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eTelevision-related feature\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMenswear – page 52\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eCoverage of the Britpop-era band\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOcean Colour Scene – page 104\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFeature looking at the band following their major mid-90s success\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReviews – page 111\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eIncludes music from artists such as \u003cstrong\u003eSuede, R.E.M., DJ Shadow, Kula Shaker, Pet Shop Boys, Pearl Jam, Horace Andy\u003c\/strong\u003e and others\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSingles – page 126\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMovies – page 131\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eListings – page 139\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReaders’ Lives – page 144\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe contents photography also includes period images connected with \u003cstrong\u003eElastica\u003c\/strong\u003e, \u003cstrong\u003eThe Cranberries\u003c\/strong\u003e, festival culture, Britpop and other contemporary alternative music acts.\u003c\/p\u003e\n\u003ch3\u003eTechnology Supplement\u003c\/h3\u003e\n\u003cp\u003eThe contents advertise a substantial \u003cstrong\u003eTechnology Supplement beginning on page 67\u003c\/strong\u003e, covering topics including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOrbital\u003c\/li\u003e\n\u003cli\u003eWeird websites\u003c\/li\u003e\n\u003cli\u003eHouse Beautiful\u003c\/li\u003e\n\u003cli\u003eEmerging internet culture\u003c\/li\u003e\n\u003cli\u003eTechnology and entertainment\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis adds an interesting snapshot of mid-1990s technology and online culture alongside the music content.\u003c\/p\u003e\n\u003ch3\u003eMagazine Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication:\u003c\/strong\u003e Select\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull Date:\u003c\/strong\u003e \u003cstrong\u003eOctober 1996\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIssue:\u003c\/strong\u003e \u003cstrong\u003eNo. 76\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal Price:\u003c\/strong\u003e £2.30\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover Subject:\u003c\/strong\u003e Liam Gallagher \/ Oasis\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e Double Cover Collectors’ Edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Feature:\u003c\/strong\u003e Oasis – Knebworth \u0026amp; Loch Lomond\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMajor Artists:\u003c\/strong\u003e Oasis, Liam Gallagher, Noel Gallagher, Kula Shaker, Ocean Colour Scene, Elastica and more\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre:\u003c\/strong\u003e Britpop \/ Indie \/ Alternative \/ Rock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Original printed music magazine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSKU:\u003c\/strong\u003e 1494\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePre-owned vintage magazine with visible age and handling wear. Please inspect all supplied photographs carefully, as they form an important part of the condition description.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the photographs, visible condition points include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGeneral surface wear to the front cover\u003c\/li\u003e\n\u003cli\u003eNoticeable rubbing and scuffing, particularly around the edges\u003c\/li\u003e\n\u003cli\u003eCreasing and wear along the \u003cstrong\u003eleft-hand\/spine edge\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eSome whitening and small abrasions along the bottom and side edges\u003c\/li\u003e\n\u003cli\u003eBottom-left front corner shows noticeable creasing and wear\u003c\/li\u003e\n\u003cli\u003eUpper corners show light bends\/softening\u003c\/li\u003e\n\u003cli\u003eGeneral edge wear consistent with a magazine from 1996\u003c\/li\u003e\n\u003cli\u003eSome slight page waviness and handling marks\u003c\/li\u003e\n\u003cli\u003eInterior contents page remains bright, colourful and clearly readable\u003c\/li\u003e\n\u003cli\u003eBinding appears intact in the photographed areas\u003c\/li\u003e\n\u003cli\u003eNo obvious large tears are visible in the supplied photographs\u003c\/li\u003e\n\u003cli\u003eNo obvious handwriting is visible\u003c\/li\u003e\n\u003cli\u003ePages shown remain securely attached\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOverall, this presents as a \u003cstrong\u003ewell-used but still attractive original 1996 copy\u003c\/strong\u003e, with clear age-related wear but strong colour and an excellent Liam Gallagher\/Oasis front cover.\u003c\/p\u003e\n\u003ch3\u003eCollector Appeal\u003c\/h3\u003e\n\u003cp\u003eA very strong issue for collectors of:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOasis, Liam Gallagher, Noel Gallagher, Knebworth 1996, Loch Lomond, Britpop, Kula Shaker, Ocean Colour Scene, 1990s indie music and Select Magazine.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe combination of the \u003cstrong\u003eLiam Gallagher cover\u003c\/strong\u003e, \u003cstrong\u003eDouble Cover Collectors’ Edition branding\u003c\/strong\u003e and extensive \u003cstrong\u003eKnebworth\/Loch Lomond Oasis coverage\u003c\/strong\u003e makes this one of the more visually distinctive Select issues from the height of Britpop.\u003c\/p\u003e\n\u003ch3\u003ePostage \u0026amp; Packaging\u003c\/h3\u003e\n\u003cp\u003eThe magazine will be carefully protected for dispatch. Depending on the final parcel size, it may be packed using \u003cstrong\u003estiff cardboard, protective bubble wrap and\/or a cardboard box\u003c\/strong\u003e to help reduce the risk of bending, crushing and further edge or corner damage while in transit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU 1494\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Select","offers":[{"title":"Default Title","offer_id":54898144739667,"sku":"1494-08-09092026","price":8.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20260902_123607.jpg?v=1788948330"},{"product_id":"select-magazine-june-1997-primal-scream-marilyn-manson-seahorses-sku-1494","title":"Select Magazine June 1997 Primal Scream Marilyn Manson Seahorses SKU 1494","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eOriginal \u003cstrong\u003eSelect Magazine – June 1997, Issue No. 83\u003c\/strong\u003e, featuring \u003cstrong\u003ePrimal Scream\u003c\/strong\u003e as the main cover story. A strong original late-1990s UK music magazine covering indie, alternative, rock and electronic music at the height of the Britpop era.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe front cover is dominated by a colourful group photograph of \u003cstrong\u003ePrimal Scream\u003c\/strong\u003e, with the large headline \u003cstrong\u003e“Exclusive! Primal Scream – Who’s going to stop them this time?”\u003c\/strong\u003e. The issue contains a substantial cover feature beginning on \u003cstrong\u003epage 78\u003c\/strong\u003e, described in the contents as a world-exclusive interview surrounding the band’s new album and their change in musical direction.\u003c\/p\u003e\n\u003ch3\u003eMain Primal Scream Feature\u003c\/h3\u003e\n\u003cp\u003eThe contents describe the Primal Scream article as covering their new album and another major stylistic shift, with discussion touching on the darker themes surrounding the group and their music. This makes the issue particularly interesting to collectors of Primal Scream material from the \u003cstrong\u003eVanishing Point\u003c\/strong\u003e period.\u003c\/p\u003e\n\u003cp\u003eThe magazine dates from an especially important point in the band’s career, and the cover itself is a striking piece of contemporary 1997 music-magazine design.\u003c\/p\u003e\n\u003ch3\u003eOther Featured Artists \u0026amp; Articles\u003c\/h3\u003e\n\u003cp\u003eThe photographs and contents show a broad range of major 1990s music coverage, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMarilyn Manson – page 44\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFeature on the controversial American artist during his major 1990s breakthrough period.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGrand Royal – page 50\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eInside coverage of the Beastie Boys-associated music and publishing operation, promoted on the cover as \u003cstrong\u003e“Beastie Business – Inside the world’s coolest corporation.”\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Seahorses\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eAlbum coverage and a full track-by-track discussion highlighted prominently on the front cover.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEels – page 30\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFeature focusing on E and the band during their early success.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Select Internet Tour – page 34\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eA particularly period-specific feature in which Select travelled around the UK exploring early internet culture and getting online in different locations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLuscious Jackson – page 60\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eInterview discussing their album and musical influences.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCast\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFeatured within the magazine and pictured on the contents page.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Divine Comedy\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded as part of the issue’s wider contemporary music coverage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFoo Fighters\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded in the reviews section.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3 Colours Red\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded in the reviews section.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWannadies\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded in the reviews section.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpiritualized\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded in the reviews section.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKenickie\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded among the extensive reviews.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe magazine also includes regular sections covering \u003cstrong\u003esingles, listings, cultural features, readers’ pages and contemporary entertainment\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003eOriginal Free CD\u003c\/h3\u003e\n\u003cp\u003eThe front cover advertises a \u003cstrong\u003e“FREE CD – Over 70 Minutes of Collectable Music”\u003c\/strong\u003e, with artists including \u003cstrong\u003eBlur, Suede, Dodgy, DJ Shadow, Lamb, Kenickie\u003c\/strong\u003e and others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIMPORTANT: No CD is shown in the supplied photographs, so the free cover CD should be considered MISSING \/ NOT INCLUDED.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is worth noting for collectors, as the magazine is being offered as the \u003cstrong\u003emagazine only\u003c\/strong\u003e based on what is visible.\u003c\/p\u003e\n\u003ch3\u003eMagazine Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication:\u003c\/strong\u003e Select Magazine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull Date:\u003c\/strong\u003e \u003cstrong\u003eJune 1997\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIssue:\u003c\/strong\u003e \u003cstrong\u003eNo. 83\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal Price:\u003c\/strong\u003e £2.30\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Cover Artist:\u003c\/strong\u003e Primal Scream\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOther Featured Artists:\u003c\/strong\u003e Marilyn Manson, The Seahorses, Eels, Luscious Jackson, Cast, Divine Comedy and others\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre:\u003c\/strong\u003e Indie \/ Alternative \/ Rock \/ Britpop \/ Electronic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal Free CD:\u003c\/strong\u003e \u003cstrong\u003eNot shown \/ considered missing\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSKU:\u003c\/strong\u003e 1494\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePre-owned vintage magazine with considerable visible age and handling wear. Please study all photographs carefully before purchasing, as they form an important part of the condition description.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVisible condition points include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNoticeable general wear throughout the front cover\u003c\/li\u003e\n\u003cli\u003eSignificant rubbing and scuffing around the cover edges\u003c\/li\u003e\n\u003cli\u003eMultiple creases and handling lines across the front\u003c\/li\u003e\n\u003cli\u003eHeavy wear along the \u003cstrong\u003ebottom edge\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eBottom-left corner is worn, softened and creased\u003c\/li\u003e\n\u003cli\u003eBottom-right corner and surrounding edge show noticeable wear\u003c\/li\u003e\n\u003cli\u003eSpine has rubbing, creasing and areas of surface loss\u003c\/li\u003e\n\u003cli\u003eTop edge and top corners show further age-related wear\u003c\/li\u003e\n\u003cli\u003eInterior contents page shows noticeable wear around the outer and bottom edges\u003c\/li\u003e\n\u003cli\u003eSome internal page edges appear browned\/discoloured with age\u003c\/li\u003e\n\u003cli\u003eVisible creasing and waviness to some pages\u003c\/li\u003e\n\u003cli\u003eBinding\/spine area shows considerable use but the photographed pages remain attached\u003c\/li\u003e\n\u003cli\u003eRear cover has \u003cstrong\u003eheavy surface rubbing, scratches and scuffing\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eRear cover edges and corners are worn\u003c\/li\u003e\n\u003cli\u003eSeveral pronounced crease lines are visible across the lower\/rear portion\u003c\/li\u003e\n\u003cli\u003eSmall splits, abrasions and white paper exposure are visible around the rear edges\/spine area\u003c\/li\u003e\n\u003cli\u003eNo obvious writing is visible in the photographed areas\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis is \u003cstrong\u003enot a mint collector copy\u003c\/strong\u003e. It is a clearly used original magazine from 1997 with substantial age-related wear, but it remains a desirable period issue because of the strong artist content and Primal Scream cover.\u003c\/p\u003e\n\u003ch3\u003eCollector Appeal\u003c\/h3\u003e\n\u003cp\u003eA particularly good issue for collectors of \u003cstrong\u003ePrimal Scream, Marilyn Manson, The Seahorses, Beastie Boys\/Grand Royal, Eels, Britpop, 1990s indie music and original Select Magazine issues\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIt also provides an excellent snapshot of UK music culture in \u003cstrong\u003e1997\u003c\/strong\u003e, combining alternative rock, Britpop, electronic music and early internet culture in one issue.\u003c\/p\u003e\n\u003ch3\u003ePostage \u0026amp; Packaging\u003c\/h3\u003e\n\u003cp\u003eThe magazine will be carefully protected for dispatch. Depending on parcel size, it may be packed using \u003cstrong\u003estiff cardboard, protective bubble wrap and\/or a cardboard box\u003c\/strong\u003e to help protect the magazine from bending, crushing and further edge or corner damage during transit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU 1494\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Select","offers":[{"title":"Default Title","offer_id":54898202378579,"sku":"1494-09-09092026","price":1.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20260902_123636.jpg?v=1788948707"},{"product_id":"select-magazine-july-1997-radiohead-u2-blur-wu-tang-clan-travis-sku-1494","title":"Select Magazine July 1997 Radiohead U2 Blur Wu-Tang Clan Travis SKU 1494","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eOriginal \u003cstrong\u003eSelect Magazine – July 1997, Issue No. 84\u003c\/strong\u003e, a strong late-1990s UK music issue with \u003cstrong\u003eRadiohead\u003c\/strong\u003e as the main cover feature.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe front cover is dominated by \u003cstrong\u003eThom Yorke\u003c\/strong\u003e, with the large headline:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“RADIOHEAD … Long live the kings!”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe cover also promotes a \u003cstrong\u003e“Stadium Rock Special”\u003c\/strong\u003e alongside \u003cstrong\u003eU2\u003c\/strong\u003e, with further references to \u003cstrong\u003eSupergrass, Embrace, Propellerheads, Blur, John Peel, Travis and Wu-Tang Clan\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003eMain Radiohead Feature\u003c\/h3\u003e\n\u003cp\u003eThe contents page lists the principal Radiohead cover feature from \u003cstrong\u003epage 78\u003c\/strong\u003e, focusing on the band at a major point in their career and discussing how they moved beyond the expectations created by their earlier success.\u003c\/p\u003e\n\u003cp\u003eFor a Radiohead collector, this is a particularly appealing period issue from \u003cstrong\u003e1997\u003c\/strong\u003e, with Thom Yorke given the dominant cover portrait and the band positioned as one of the major acts of the era.\u003c\/p\u003e\n\u003ch3\u003eOther Major Features\u003c\/h3\u003e\n\u003cp\u003eThe photographed contents show a strong range of alternative, indie, rock and hip-hop coverage, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eU2 – page 24\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMajor feature tied to the magazine's stadium-rock coverage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlur Play John Peel’s House – page 48\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eBlur visiting John Peel’s home, a particularly interesting piece for Britpop and BBC music-history collectors.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWu-Tang Clan – page 54\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFeature on the influential hip-hop group during their major 1990s period.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTravis – page 44\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eCoverage of the then-new Scottish band.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupergrass\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFeatured within the magazine’s wider contemporary music coverage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEmbrace\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded in the issue during the band’s rise in the late 1990s.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePropellerheads\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFeatured among the contemporary acts highlighted by the magazine.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReef\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded in the singles section.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRadiohead, Monaco and Wu-Tang\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eIncluded within the reviews section as shown on the contents page.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eGlastonbury Content\u003c\/h3\u003e\n\u003cp\u003eThe issue also contains substantial \u003cstrong\u003eGlastonbury Festival\u003c\/strong\u003e material.\u003c\/p\u003e\n\u003cp\u003eThe contents refer to a festival comparison\/special and the cover promotes:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“No sleep ’til Glasto – Dennis Pennis leads the charge.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe contents page also shows a humorous \u003cstrong\u003e“Tent Beautiful”\u003c\/strong\u003e feature involving Dennis Pennis and festival camping, making this issue a strong piece of late-1990s festival memorabilia as well as a general music magazine.\u003c\/p\u003e\n\u003ch3\u003eMagazine Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication:\u003c\/strong\u003e Select Magazine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull Date:\u003c\/strong\u003e \u003cstrong\u003eJuly 1997\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIssue:\u003c\/strong\u003e \u003cstrong\u003eNo. 84\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal Price:\u003c\/strong\u003e £2.30\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Cover Feature:\u003c\/strong\u003e Radiohead\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover Person:\u003c\/strong\u003e Thom Yorke\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOther Featured Acts:\u003c\/strong\u003e U2, Blur, Wu-Tang Clan, Travis, Supergrass, Embrace, Propellerheads and more\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre:\u003c\/strong\u003e Britpop \/ Indie \/ Alternative Rock \/ Hip-Hop \/ 1990s Music\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSKU:\u003c\/strong\u003e 1494\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePre-owned vintage magazine with visible age and handling wear. Please inspect all supplied photographs carefully.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVisible points include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGeneral surface rubbing and handling marks to the front cover\u003c\/li\u003e\n\u003cli\u003eLight creasing across portions of the cover\u003c\/li\u003e\n\u003cli\u003eNoticeable wear along the spine\u003c\/li\u003e\n\u003cli\u003eEdge rubbing, especially along the left\/spine side\u003c\/li\u003e\n\u003cli\u003eCorner wear, with small bends and softening\u003c\/li\u003e\n\u003cli\u003eBottom edge shows age-related rubbing and minor waviness\u003c\/li\u003e\n\u003cli\u003eTop edge has some light wear and minor distortion\u003c\/li\u003e\n\u003cli\u003eInterior contents page remains bright and readable\u003c\/li\u003e\n\u003cli\u003eSome mild page-edge wear and age-related handling marks internally\u003c\/li\u003e\n\u003cli\u003eBinding appears intact in the photographed areas\u003c\/li\u003e\n\u003cli\u003eNo obvious major tears visible in the supplied images\u003c\/li\u003e\n\u003cli\u003eNo obvious handwriting or heavy staining visible in the photographed areas\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOverall, this presents as a \u003cstrong\u003eused but complete-looking vintage reading\/collector copy\u003c\/strong\u003e, with the normal wear expected from a music magazine of this age rather than a mint-condition example.\u003c\/p\u003e\n\u003ch3\u003eCollector Appeal\u003c\/h3\u003e\n\u003cp\u003eA very desirable original issue for collectors of \u003cstrong\u003eRadiohead, Thom Yorke, U2, Blur, Wu-Tang Clan, Travis, Britpop, 1990s alternative music and Select Magazine\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe combination of the \u003cstrong\u003eRadiohead cover story, Blur\/John Peel feature, Wu-Tang Clan coverage and Glastonbury material\u003c\/strong\u003e gives this issue particularly strong late-1990s music-culture appeal.\u003c\/p\u003e\n\u003ch3\u003ePostage \u0026amp; Packaging\u003c\/h3\u003e\n\u003cp\u003eThe magazine will be carefully packed for dispatch. Depending on parcel size, protective materials may include \u003cstrong\u003estiff cardboard, bubble wrap and\/or a cardboard box\u003c\/strong\u003e to help guard against bending, crushing and additional edge or corner damage in transit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU 1494\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Select","offers":[{"title":"Default Title","offer_id":54898220695891,"sku":"1494-10-09092026","price":6.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20260902_123705.jpg?v=1788948791"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/collections\/IMG_20260902_123219.jpg?v=1788947190","url":"https:\/\/ladsmags.co.uk\/collections\/select-magazines.oembed","provider":"Magazine Trader LTD","version":"1.0","type":"link"}