{"title":"Uncut Magazines","description":"\u003cp\u003eExplore decades of legendary music, cinematic history, and songwriting mastery with our archive of vintage \u003cb data-path-to-node=\"1\" data-index-in-node=\"107\"\u003eUncut\u003c\/b\u003e magazines. Launched in 1997 by IPC Media, this acclaimed British publication quickly became the definitive monthly chronicle for classic rock, Americana, folk, and indie icons. Packed with exhaustive career-spanning interviews, comprehensive album and film retrospectives, and rare archival photography, each issue serves as an indispensable deep dive for discerning music aficionados. Find our collection below.\u003c\/p\u003e","products":[{"product_id":"uncut-magazine-february-1998-ian-brown-stone-roses-noel-gallagher-sku-1543","title":"UNCUT Magazine February 1998 Ian Brown Stone Roses Noel Gallagher SKU 1543","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv data-test-id=\"chat-app\" class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cp\u003e\u003cspan\u003eOriginal \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eUNCUT Magazine – Take 9, February 1998\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a substantial late-1990s British music and film magazine featuring \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIan Brown\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e prominently on the cover and a major retrospective on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Stone Roses\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover headline reads \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“There Were Too Many Drugs – The Rise and Fall of The Stone Roses by Ian Brown”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, making this a particularly strong issue for collectors of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Stone Roses, Ian Brown, Manchester music and 1990s British indie culture\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe front cover also promotes a significant \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNoel Gallagher\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e feature under the headline \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“No Roses, No Oasis”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, alongside coverage of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eShaun Ryder\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNatalie Imbruglia\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eManic Street Preachers\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRy Cooder\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWim Wenders\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBoogie Nights\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePaul Verhoeven\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and other major music and film subjects.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eMagazine Contents \u0026amp; Features\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eFrom the photographed contents page, notable articles include:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eIan Brown \/ The Stone Roses\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – major feature looking back at the band and its history.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eNoel Gallagher\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – discussion of why there might have been no Oasis without The Stone Roses.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eShaun Ryder\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – covering new projects, drugs, the demise of Happy Mondays and the rise of Black Grape.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eManic Street Preachers\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – archive material and an early interview.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eNatalie Imbruglia\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – Q\u0026amp;A feature.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003ePerformance\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – extensive feature about the controversial classic British film starring Mick Jagger and James Fox.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eBoogie Nights\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – feature looking at the 1970s adult-film industry backdrop of the film.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eRy Cooder \u0026amp; Wim Wenders\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – discussing their collaboration and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eParis, Texas\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003ePaul Verhoeven\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – feature on the director of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eStarship Troopers\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eNew York Babylon\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – retrospective look at 1970s New York.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFilm coverage including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTitanic\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBoogie Nights\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe End of Violence\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eResurrection Man\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTomorrow Never Dies\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eMusic reviews including material connected with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe High Llamas, Ian Brown, Keith Richards, Mark Hollis, Isaac Hayes\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and others.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eBook reviews and features covering \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNick Drake\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eShaun Ryder\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Hong Kong cinema and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Byrds\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe issue is a great snapshot of British alternative music and film culture at the end of the 1990s, with a particularly heavy emphasis on Manchester artists and influential British rock.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eThe Cover\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe front cover is dominated by a striking portrait of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIan Brown\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with the large yellow \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eUNCUT\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e masthead above him. Smaller cover references include \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNoel Gallagher\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, vintage \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNew York Babylon\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e imagery and the magazine's \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePerformance\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e feature.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe rear cover carries a period \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMaxell\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e advertisement featuring \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eResurrection Man\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which also adds to the late-1990s period character of the magazine.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePre-owned vintage condition with noticeable age and handling wear.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVisible from the supplied photographs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eFront cover has \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egeneral surface rubbing and scratching\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNoticeable \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003espine rubbing and edge wear\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, particularly along the left edge.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSeveral small \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecreases and stress marks\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e around the spine and corners.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBottom-left front corner shows wear and slight lifting.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTop and outer edges have some light knocks and handling marks.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCovers remain firmly attached from what can be seen.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInterior pages appear generally clean, bright and well preserved.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSome page edges show minor age-related waviness and handling.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRear cover has visible surface marks and scratches.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNo obvious major tears, missing sections or heavy writing are visible in the supplied photographs.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eOverall, a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egood readable and collectible vintage copy\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, but certainly not mint. Please study all supplied photographs carefully as they form an important part of the condition description.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eImportant – Original Extras\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAny CDs, supplements, postcards, promotional inserts, loose gifts or other extras that may originally have accompanied this magazine are no longer included unless specifically shown in the photographs.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003ePackaging\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUK orders:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sent securely in a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehardback envelope\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eInternational orders:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sent securely in a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecardboard mail-size box\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e for additional protection during transit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSKU: 1543\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"uncut","offers":[{"title":"Default Title","offer_id":55358415765843,"sku":"1543-10-13102026","price":5.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20261009_145730.jpg?v=1791922067"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/collections\/IMG_20261009_145730.jpg?v=1791922344","url":"https:\/\/ladsmags.co.uk\/collections\/uncut-magazines.oembed","provider":"Magazine Trader LTD","version":"1.0","type":"link"}