{"product_id":"nme-8-november-1997-pulp-jarvis-cocker-britpop-music-newspaper-sku-np010","title":"NME Magazine 8 November 1997 Pulp Jarvis Cocker Britpop Music Newspaper SKU NP010","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003ch1\u003e\u003cspan\u003eNME – 8 November 1997 – Pulp \/ Jarvis Cocker – Britpop Music Newspaper\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eOriginal vintage \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNME (New Musical Express)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e British weekly music newspaper, dated \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e8 November 1997\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, featuring \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePulp\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e on the front cover, with frontman \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJarvis Cocker\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e prominently photographed alongside his bandmates.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe issue includes an extensive illustrated Pulp feature, looking at the band's return, their experiences following the enormous success of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDifferent Class\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, and the music that would lead into their next album, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThis Is Hardcore\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA particularly interesting original publication from the late-1990s Britpop era, combining contemporary music journalism, band photography and NME's distinctive editorial style.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eFront Cover – Pulp \/ Jarvis Cocker\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe front cover features a large colour group photograph of Pulp, with Jarvis Cocker positioned prominently in the foreground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJarvis is wearing a brown jacket over a patterned jumper and dark roll-neck top, together with his distinctive large, amber-tinted glasses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe is pictured with his arms crossed, looking directly towards the camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe other members of the band appear behind and alongside him, creating a relaxed but deliberately styled group portrait.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe photograph features muted brown, orange and grey tones, characteristic of the visual presentation of British alternative music during the period.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover photograph is credited to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eStefan De Batselier\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe principal cover headlines read:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\"GRANNY MAGNETS!\"\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\"PULP\"\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\"GROW OLD DISGRACEFULLY\"\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe oversized yellow PULP lettering dominates the lower section of the photograph, with the surrounding headlines printed in white.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover design captures NME's irreverent approach to music journalism and the changing public image of Pulp towards the end of the 1990s.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eMain Pulp Feature – New Dentures in Hell!\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe photographed interior pages reveal a substantial illustrated feature about Pulp, presented across a colourful double-page opening.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe headline reads:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\"NEW DENTURES IN HELL!\"\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe feature discusses the band's experiences following their commercial breakthrough, their evolving musical direction and their forthcoming album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe introductory text references Pulp's new single \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e\"Help the Aged\"\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and describes the group's return with a darker, more mature musical approach.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt also discusses the forthcoming album \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThis Is Hardcore\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, which would eventually be released in 1998.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe article is credited to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSimon Price\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with photography by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRoger Morton\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eFull-Page Pulp Band Photograph\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe left-hand page contains an impressive large colour photograph showing the members of Pulp standing together outdoors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJarvis Cocker is positioned prominently towards the right of the photograph, wearing his large tinted glasses, brown jacket and patterned jumper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe leans slightly towards the camera, giving the image a distinctive perspective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOther band members stand further back, including a female member wearing an orange jacket over a pink top and a male member wearing a patterned grey jumper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe photograph has a slightly subdued, natural colour palette, with a pale background and muted clothing colours.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is a particularly attractive piece of original 1990s band photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eFeature Layout and Typography\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe facing page features an orange background with enormous yellow lettering spelling out:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\"NEW DENTURES IN HELL!\"\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBelow the headline is an introductory paragraph explaining the context of Pulp's return.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe feature continues in multiple columns of text, providing a detailed contemporary interview and commentary on the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe combination of full-page photography, bold typography and substantial editorial content makes this a visually distinctive newspaper feature.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003ePulp in 1997 – From Different Class to This Is Hardcore\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis issue captures an important transitional period in Pulp's career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing the enormous success of their 1995 album \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDifferent Class\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, Pulp had become one of the most recognisable bands associated with Britpop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSongs including \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eCommon People\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDisco 2000\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSorted for E's \u0026amp; Wizz\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e had established the band as major figures in British alternative music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBy late 1997, however, the group's musical direction was changing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe photographed article discusses the band's return with \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHelp the Aged\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, a single that reflected the darker and more introspective themes associated with their forthcoming album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe article also explores the experiences of the band members, their changing circumstances and the challenges of following such a successful period.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor collectors, this makes the issue particularly interesting because it documents Pulp's transition between two significant stages of their career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRather than being a later retrospective, the article provides an original contemporary perspective from November 1997.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eOther Featured Artists and Articles\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe front cover advertises a selection of additional music and entertainment subjects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eR.E.M. – Bill Berry Leaves the Band\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe top headline reads:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"BILL BERRY QUITS REM – PAGE 3\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis refers to the departure of drummer Bill Berry from R.E.M., a major development in the band's history during 1997.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEddie Izzard\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover advertises a feature involving comedian Eddie Izzard, with the headline:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"SURREALLY SAYING SOMETHING\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFinley Quaye\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnother cover headline reads:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"ON THE CROUCH – THE TROUBLE WITH FINLEY QUAYE...\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis reflects the popularity of Finley Quaye during the period surrounding his debut album \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eMaverick a Strike\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAdditional Cover Names\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe bottom of the cover also advertises:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSalt-N-Pepa\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eBlack Grape\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eTexas\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eEmbrace\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSleeper\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eDaft Punk\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eShane MacGowan\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eBez\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThese references demonstrate the broad range of alternative rock, Britpop, electronic music, hip-hop and popular culture covered by NME during the late 1990s.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eCollectability and Historical Interest\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis original NME issue is particularly suitable for collectors interested in:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003ePulp and Jarvis Cocker memorabilia.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eOriginal Britpop-era music journalism.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eThe transition from \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDifferent Class\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThis Is Hardcore\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eVintage 1990s band photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eBritish alternative rock and indie music.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eOriginal NME newspaper issues.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eContemporary interviews and music criticism.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe combination of the prominent Pulp cover and substantial illustrated interior article makes this a strong example of late-1990s British music press coverage.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003ePublication Details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePublication:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e NME – New Musical Express\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFull Publication Date:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 8 November 1997\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMain Cover Artist:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Pulp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProminent Musician:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Jarvis Cocker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMain Feature:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e New Dentures in Hell!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eArticle Writer:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Simon Price\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eInterior Photography:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Roger Morton\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCover Photography:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Stefan De Batselier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOther Featured Names:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e R.E.M., Eddie Izzard, Finley Quaye, Salt-N-Pepa, Black Grape, Texas, Embrace, Sleeper, Daft Punk, Shane MacGowan and Bez\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginal Cover Price:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 95p\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCountry of Publication:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e United Kingdom\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLanguage:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFormat:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Large-format weekly music newspaper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEra:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 1990s \/ Britpop\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Pre-owned vintage condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSKU:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e NP010\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eCondition – Important Information\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis is an original vintage newspaper dating from November 1997 and shows visible signs of age, previous handling and storage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe supplied photographs show the front cover and the opening double-page spread of the main Pulp article.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFront Cover:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The main Pulp group photograph remains clear, with the band members, principal headlines and NME masthead legible. There are visible light creases, surface rippling and general handling marks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePaper Discolouration:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The newspaper shows age-related yellowing and toning, particularly around the white outer margins and along the edges.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTop Edge:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The upper margin has slight waviness and unevenness, with minor creasing and handling wear visible towards the corners.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLeft Edge \/ Spine:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The left-hand edge shows evidence of previous handling, with slight creasing and some unevenness. The newspaper retains its folded publication format.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRight Edge:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The right-hand side shows natural ageing and slight waviness, with some minor edge wear.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBottom Edge:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The lower edge has slight unevenness and handling wear. The bottom-right corner appears curled or bent upwards slightly.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCorners:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The corners show age-related softening and small bends rather than remaining perfectly sharp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eInterior Pages:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The photographed Pulp double-page spread retains strong colour and readable printed content. The large group photograph and bold orange-and-yellow feature headline remain visually attractive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCentre Fold:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The interior spread shows normal curvature around the central fold, with slight rippling and handling creases visible in the paper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSurface Marks:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Minor surface marks, light creases and general age-related imperfections are visible. No obvious handwritten annotations are apparent in the photographed areas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCompleteness:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Only the front cover and selected interior pages have been photographed. The full page count and completeness of the entire newspaper have not been independently verified.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOverall Condition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e A presentable original vintage music newspaper with visible age-related wear, paper discolouration and handling creases. The important Pulp cover and photographed feature remain clear and visually appealing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is a pre-owned newspaper and should not be considered mint or pristine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePlease examine all supplied photographs carefully, as they form an important part of the condition description.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003ePackaging and Postage\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe newspaper will be carefully folded and securely packaged inside a protective cardboard box for postage, with care taken to minimise further damage during transit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn interesting original November 1997 NME newspaper featuring Pulp and Jarvis Cocker during the period leading up to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThis Is Hardcore\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn appealing addition to collections of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePulp memorabilia, Jarvis Cocker, Britpop, original NME newspapers and vintage 1990s British music journalism\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSKU: NP010\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"NME magazine","offers":[{"title":"Default Title","offer_id":55872668926291,"sku":"NP010-04-12112026","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20261111_124711.jpg?v=1794523041","url":"https:\/\/ladsmags.co.uk\/products\/nme-8-november-1997-pulp-jarvis-cocker-britpop-music-newspaper-sku-np010","provider":"Magazine Trader LTD","version":"1.0","type":"link"}