{"product_id":"sight-sound-magazine-april-2015-remake-remodel-directors-cuts-bitter-lake-mommy-sku-1438","title":"Sight \u0026 Sound Magazine April 2015 Remake Remodel Directors Cuts Bitter Lake Mommy SKU 1438","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cp data-start=\"148\" data-end=\"250\" class=\"PDq2pG_selectionAnchorContainer\"\u003eOriginal \u003cstrong data-start=\"157\" data-end=\"174\"\u003eSight \u0026amp; Sound\u003c\/strong\u003e magazine dated \u003cstrong data-start=\"190\" data-end=\"204\"\u003eApril 2015\u003c\/strong\u003e, \u003cstrong data-start=\"206\" data-end=\"227\"\u003eVolume 25 Issue 4\u003c\/strong\u003e, published by the BFI.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"252\" data-end=\"649\"\u003eThis is a special \u003cstrong data-start=\"270\" data-end=\"290\"\u003e“Remake\/Remodel”\u003c\/strong\u003e issue focused on film remakes, director’s cuts, alternate versions and different edits of well-known films. The cover uses a film-strip design with imagery linked to classic and modern cinema, making it especially appealing to film collectors, cinema historians and readers interested in how films change through re-editing, restoration and reinterpretation.\u003c\/p\u003e\n\u003cp data-start=\"651\" data-end=\"709\"\u003eKey film-related content visible in the magazine includes:\u003c\/p\u003e\n\u003cul data-start=\"711\" data-end=\"1255\"\u003e\n\u003cli data-section-id=\"1w1wvt9\" data-start=\"711\" data-end=\"801\"\u003e\n\u003cstrong data-start=\"713\" data-end=\"731\"\u003eRemake\/Remodel\u003c\/strong\u003e cover feature examining director’s cuts and alternative film versions\u003c\/li\u003e\n\u003cli data-section-id=\"7hhipd\" data-start=\"802\" data-end=\"829\"\u003e\n\u003cstrong data-start=\"804\" data-end=\"813\"\u003eMommy\u003c\/strong\u003e by Xavier Dolan\u003c\/li\u003e\n\u003cli data-section-id=\"j1z1oy\" data-start=\"830\" data-end=\"884\"\u003e\n\u003cstrong data-start=\"832\" data-end=\"867\"\u003eThe Tale of the Princess Kaguya\u003c\/strong\u003e by Isao Takahata\u003c\/li\u003e\n\u003cli data-section-id=\"1k40b1r\" data-start=\"885\" data-end=\"917\"\u003e\n\u003cstrong data-start=\"887\" data-end=\"902\"\u003eBitter Lake\u003c\/strong\u003e by Adam Curtis\u003c\/li\u003e\n\u003cli data-section-id=\"czzz9w\" data-start=\"918\" data-end=\"988\"\u003eDiscussion of films existing in different cuts, versions and remakes\u003c\/li\u003e\n\u003cli data-section-id=\"1i72hxj\" data-start=\"989\" data-end=\"1048\"\u003eCoverage connected with Czech director \u003cstrong data-start=\"1030\" data-end=\"1048\"\u003eVera Chytilová\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1lwrxce\" data-start=\"1049\" data-end=\"1091\"\u003eInterview with filmmaker \u003cstrong data-start=\"1076\" data-end=\"1091\"\u003eAgnès Varda\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1g36azn\" data-start=\"1092\" data-end=\"1182\"\u003eFeatures on Studio Ghibli, international cinema, documentary filmmaking and film history\u003c\/li\u003e\n\u003cli data-section-id=\"1qa49aw\" data-start=\"1183\" data-end=\"1255\"\u003eFestival and industry coverage, including BFI-related cinema reporting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1257\" data-end=\"1652\"\u003eThe contents page shows a substantial lead feature beginning on page 18, selecting notable examples of remade, remodelled and alternatively edited films. Additional articles include critical pieces on \u003cstrong data-start=\"1458\" data-end=\"1467\"\u003eMommy\u003c\/strong\u003e, \u003cstrong data-start=\"1469\" data-end=\"1504\"\u003eThe Tale of the Princess Kaguya\u003c\/strong\u003e, \u003cstrong data-start=\"1506\" data-end=\"1521\"\u003eBitter Lake\u003c\/strong\u003e and the work of \u003cstrong data-start=\"1538\" data-end=\"1556\"\u003eVera Chytilová\u003c\/strong\u003e, alongside regular reviews, festival reports, industry commentary and filmmaker retrospectives.\u003c\/p\u003e\n\u003cp data-start=\"1654\" data-end=\"1812\"\u003eA strong issue for collectors of \u003cstrong data-start=\"1687\" data-end=\"1707\"\u003eBFI publications\u003c\/strong\u003e, \u003cstrong data-start=\"1709\" data-end=\"1726\"\u003eSight \u0026amp; Sound\u003c\/strong\u003e, arthouse cinema, director’s cuts, international films, animation and film criticism.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1uef3h1\" data-start=\"1814\" data-end=\"1827\"\u003eCondition\u003c\/h3\u003e\n\u003cp data-start=\"1828\" data-end=\"1882\"\u003ePre-owned magazine in \u003cstrong data-start=\"1850\" data-end=\"1881\"\u003egood overall used condition\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1884\" data-end=\"1917\"\u003eVisible condition points include:\u003c\/p\u003e\n\u003cul data-start=\"1919\" data-end=\"2390\"\u003e\n\u003cli data-section-id=\"sf84ho\" data-start=\"1919\" data-end=\"1960\"\u003eLight general handling and storage wear\u003c\/li\u003e\n\u003cli data-section-id=\"yi2rvf\" data-start=\"1961\" data-end=\"2005\"\u003eMinor rubbing and marks to the front cover\u003c\/li\u003e\n\u003cli data-section-id=\"e78zei\" data-start=\"2006\" data-end=\"2063\"\u003eSmall creases and slight curling around the outer edges\u003c\/li\u003e\n\u003cli data-section-id=\"1j51b9m\" data-start=\"2064\" data-end=\"2135\"\u003eSome wear to the corners, particularly the lower and right-hand edges\u003c\/li\u003e\n\u003cli data-section-id=\"1gc5p6u\" data-start=\"2136\" data-end=\"2178\"\u003eLight spine wear consistent with reading\u003c\/li\u003e\n\u003cli data-section-id=\"m98300\" data-start=\"2179\" data-end=\"2246\"\u003eInterior pages shown appear clean, readable and securely attached\u003c\/li\u003e\n\u003cli data-section-id=\"iljt0v\" data-start=\"2247\" data-end=\"2327\"\u003eNo major tears, heavy staining or severe damage visible in the supplied images\u003c\/li\u003e\n\u003cli data-section-id=\"18f1rm6\" data-start=\"2328\" data-end=\"2390\"\u003eCover remains bright and the main text and artwork are clear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2392\" data-end=\"2490\"\u003ePlease inspect all supplied photographs carefully, as they form part of the condition description.\u003c\/p\u003e\n\u003cp data-start=\"2492\" data-end=\"2505\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"2492\" data-end=\"2505\" data-is-last-node=\"\"\u003eSKU: 1438\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Sight \u0026 Sound","offers":[{"title":"Default Title","offer_id":54419948929363,"sku":"1438-01-27072026","price":5.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20260710_115139.jpg?v=1785185198","url":"https:\/\/ladsmags.co.uk\/products\/sight-sound-magazine-april-2015-remake-remodel-directors-cuts-bitter-lake-mommy-sku-1438","provider":"Magazine Trader LTD","version":"1.0","type":"link"}