{"product_id":"sight-sound-magazine-july-2015-orson-welles-amy-the-misfits-look-of-silence-sku-1438","title":"Sight \u0026 Sound Magazine July 2015 Orson Welles Amy The Misfits Look of Silence SKU 1438","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\"\u003e\n\u003cp data-start=\"144\" data-end=\"249\" class=\"PDq2pG_selectionAnchorContainer\"\u003eOriginal \u003cstrong data-start=\"153\" data-end=\"170\"\u003eSight \u0026amp; Sound\u003c\/strong\u003e magazine dated \u003cstrong data-start=\"186\" data-end=\"199\"\u003eJuly 2015\u003c\/strong\u003e, \u003cstrong data-start=\"201\" data-end=\"222\"\u003eVolume 25 Issue 7\u003c\/strong\u003e, published by the \u003cstrong data-start=\"241\" data-end=\"248\"\u003eBFI\u003c\/strong\u003e.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"251\" data-end=\"626\"\u003eThis issue is led by a major \u003cstrong data-start=\"280\" data-end=\"314\"\u003eOrson Welles centenary special\u003c\/strong\u003e, focusing on the lesser-seen, unfinished and underappreciated side of his career. The cover feature explores Welles beyond his best-known films, including discussion of projects such as \u003cstrong data-start=\"501\" data-end=\"521\"\u003eToo Much Johnson\u003c\/strong\u003e, \u003cstrong data-start=\"523\" data-end=\"553\"\u003eThe Other Side of the Wind\u003c\/strong\u003e and other rare or incomplete works connected with his filmmaking legacy.\u003c\/p\u003e\n\u003cp data-start=\"628\" data-end=\"673\"\u003eFilm coverage visible in this issue includes:\u003c\/p\u003e\n\u003cul data-start=\"675\" data-end=\"1126\"\u003e\n\u003cli data-section-id=\"1ulqsdb\" data-start=\"675\" data-end=\"711\"\u003e\u003cstrong data-start=\"677\" data-end=\"711\"\u003eOrson Welles Centenary Special\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"1duibcu\" data-start=\"712\" data-end=\"734\"\u003e\u003cstrong data-start=\"714\" data-end=\"734\"\u003eToo Much Johnson\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"1u5132i\" data-start=\"735\" data-end=\"767\"\u003e\u003cstrong data-start=\"737\" data-end=\"767\"\u003eThe Other Side of the Wind\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"gs57la\" data-start=\"768\" data-end=\"785\"\u003e\u003cstrong data-start=\"770\" data-end=\"785\"\u003eThe Misfits\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"d3kq71\" data-start=\"786\" data-end=\"795\"\u003e\u003cstrong data-start=\"788\" data-end=\"795\"\u003eAmy\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"isn46c\" data-start=\"796\" data-end=\"821\"\u003e\u003cstrong data-start=\"798\" data-end=\"821\"\u003eThe Look of Silence\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"rbzjs2\" data-start=\"822\" data-end=\"857\"\u003e\n\u003cstrong data-start=\"824\" data-end=\"839\"\u003eCannes 2015\u003c\/strong\u003e festival coverage\u003c\/li\u003e\n\u003cli data-section-id=\"1o7qhnl\" data-start=\"858\" data-end=\"881\"\u003e\u003cstrong data-start=\"860\" data-end=\"881\"\u003eQueen and Country\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"1fx8ws6\" data-start=\"882\" data-end=\"908\"\u003e\u003cstrong data-start=\"884\" data-end=\"908\"\u003eBlack Coal, Thin Ice\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"i13hn2\" data-start=\"909\" data-end=\"933\"\u003e\u003cstrong data-start=\"911\" data-end=\"933\"\u003eMad Max: Fury Road\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"1rmnh5\" data-start=\"934\" data-end=\"963\"\u003e\u003cstrong data-start=\"936\" data-end=\"963\"\u003eAvengers: Age of Ultron\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"12h8618\" data-start=\"964\" data-end=\"998\"\u003e\u003cstrong data-start=\"966\" data-end=\"998\"\u003eTomorrowland: A World Beyond\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"mfw8q\" data-start=\"999\" data-end=\"1014\"\u003e\u003cstrong data-start=\"1001\" data-end=\"1014\"\u003eSlow West\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"1a9hjhy\" data-start=\"1015\" data-end=\"1034\"\u003e\u003cstrong data-start=\"1017\" data-end=\"1034\"\u003eInherent Vice\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"l4h175\" data-start=\"1035\" data-end=\"1059\"\u003e\u003cstrong data-start=\"1037\" data-end=\"1059\"\u003eThe Age of Adaline\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"s2okar\" data-start=\"1060\" data-end=\"1082\"\u003e\u003cstrong data-start=\"1062\" data-end=\"1082\"\u003eThe Longest Ride\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"1h7bx5s\" data-start=\"1083\" data-end=\"1099\"\u003e\u003cstrong data-start=\"1085\" data-end=\"1099\"\u003eUnfriended\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"mtdr31\" data-start=\"1100\" data-end=\"1110\"\u003e\u003cstrong data-start=\"1102\" data-end=\"1110\"\u003eWest\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"b0yxo3\" data-start=\"1111\" data-end=\"1126\"\u003e\u003cstrong data-start=\"1113\" data-end=\"1126\"\u003eWolf Hall\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1128\" data-end=\"1427\"\u003eThe contents also include a substantial piece on \u003cstrong data-start=\"1177\" data-end=\"1192\"\u003eThe Misfits\u003c\/strong\u003e, examining the film and its troubled emotional world, alongside coverage of \u003cstrong data-start=\"1269\" data-end=\"1317\"\u003eAsif Kapadia’s Amy Winehouse documentary Amy\u003c\/strong\u003e, Joshua Oppenheimer’s \u003cstrong data-start=\"1340\" data-end=\"1363\"\u003eThe Look of Silence\u003c\/strong\u003e, and an in-depth \u003cstrong data-start=\"1381\" data-end=\"1426\"\u003eSight \u0026amp; Sound interview with John Boorman\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1429\" data-end=\"1698\"\u003eThe review section covers a wide range of contemporary cinema, home entertainment, television and film books. This makes the issue particularly appealing to collectors of film criticism, Orson Welles material, classic Hollywood, documentary cinema and BFI publications.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1uef3h1\" data-start=\"1700\" data-end=\"1713\"\u003eCondition\u003c\/h3\u003e\n\u003cp data-start=\"1714\" data-end=\"1768\"\u003ePre-owned magazine in \u003cstrong data-start=\"1736\" data-end=\"1767\"\u003egood overall used condition\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1770\" data-end=\"1804\"\u003eVisible condition details include:\u003c\/p\u003e\n\u003cul data-start=\"1806\" data-end=\"2253\"\u003e\n\u003cli data-section-id=\"1qcwueu\" data-start=\"1806\" data-end=\"1853\"\u003eLight handling and storage wear to the covers\u003c\/li\u003e\n\u003cli data-section-id=\"mqvc74\" data-start=\"1854\" data-end=\"1887\"\u003eMinor rubbing and surface marks\u003c\/li\u003e\n\u003cli data-section-id=\"nfxb3q\" data-start=\"1888\" data-end=\"1956\"\u003eSmall creases and light curling around the outer edges and corners\u003c\/li\u003e\n\u003cli data-section-id=\"13qompr\" data-start=\"1957\" data-end=\"2001\"\u003eSlight wear along the spine and page edges\u003c\/li\u003e\n\u003cli data-section-id=\"rpb3qs\" data-start=\"2002\" data-end=\"2076\"\u003eInterior pages shown appear clean, clearly printed and securely attached\u003c\/li\u003e\n\u003cli data-section-id=\"53zo2r\" data-start=\"2077\" data-end=\"2174\"\u003eNo major tears, heavy staining or serious structural damage visible in the supplied photographs\u003c\/li\u003e\n\u003cli data-section-id=\"1mmly8o\" data-start=\"2175\" data-end=\"2253\"\u003eCover remains presentable with strong black-and-white artwork and clear text\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2255\" data-end=\"2352\"\u003ePlease review all supplied photographs carefully, as they form part of the condition description.\u003c\/p\u003e\n\u003cp data-start=\"2354\" data-end=\"2367\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"2354\" data-end=\"2367\" data-is-last-node=\"\"\u003eSKU: 1438\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Sight \u0026 Sound","offers":[{"title":"Default Title","offer_id":54419950960979,"sku":"1438-02-27072026","price":5.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20260710_115156.jpg?v=1785185297","url":"https:\/\/ladsmags.co.uk\/products\/sight-sound-magazine-july-2015-orson-welles-amy-the-misfits-look-of-silence-sku-1438","provider":"Magazine Trader LTD","version":"1.0","type":"link"}