{"product_id":"sight-sound-magazine-march-2016-1392-charlie-kaufman-anomalisa-film","title":"Sight \u0026 Sound Magazine March 2016 (1392) Charlie Kaufman Anomalisa Film","description":"\u003cmain class=\"chat-app\"\u003e\n\u003cdiv class=\"side-nav-menu-button with-pill-ui\" data-test-id=\"chat-app\"\u003e\n\u003cp data-start=\"101\" data-end=\"130\"\u003eKey Features Bullet Points:\u003c\/p\u003e\n\u003cul data-start=\"131\" data-end=\"1065\"\u003e\n\u003cli data-section-id=\"y3ih8k\" data-start=\"131\" data-end=\"189\"\u003e\u003cstrong data-start=\"133\" data-end=\"189\"\u003eSight \u0026amp; Sound Magazine March 2016, Volume 26 Issue 3\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-section-id=\"3anmu\" data-start=\"190\" data-end=\"327\"\u003eMain cover feature: \u003cstrong data-start=\"212\" data-end=\"231\"\u003eCharlie Kaufman\u003c\/strong\u003e, covering \u003cstrong data-start=\"242\" data-end=\"266\"\u003eBeing John Malkovich\u003c\/strong\u003e, \u003cstrong data-start=\"268\" data-end=\"281\"\u003eAnomalisa\u003c\/strong\u003e, and his unique screenwriting\/directing style\u003c\/li\u003e\n\u003cli data-section-id=\"1ckc5yg\" data-start=\"328\" data-end=\"490\"\u003eStrong film-focused issue with features on \u003cstrong data-start=\"373\" data-end=\"386\"\u003eAnomalisa\u003c\/strong\u003e, \u003cstrong data-start=\"388\" data-end=\"407\"\u003eA Bigger Splash\u003c\/strong\u003e, \u003cstrong data-start=\"409\" data-end=\"431\"\u003eHitchcock\/Truffaut\u003c\/strong\u003e, \u003cstrong data-start=\"433\" data-end=\"454\"\u003eMaking a Murderer\u003c\/strong\u003e, \u003cstrong data-start=\"456\" data-end=\"465\"\u003eCreed\u003c\/strong\u003e, and the rise of reboots\u003c\/li\u003e\n\u003cli data-section-id=\"1mk3mh8\" data-start=\"491\" data-end=\"628\"\u003eIncludes content on \u003cstrong data-start=\"513\" data-end=\"532\"\u003eLuca Guadagnino\u003c\/strong\u003e, \u003cstrong data-start=\"534\" data-end=\"547\"\u003eJack Fisk\u003c\/strong\u003e, \u003cstrong data-start=\"549\" data-end=\"568\"\u003ePreston Sturges\u003c\/strong\u003e, \u003cstrong data-start=\"570\" data-end=\"584\"\u003eOscar bait\u003c\/strong\u003e, \u003cstrong data-start=\"586\" data-end=\"607\"\u003eHollywood reboots\u003c\/strong\u003e, and restored cinema\u003c\/li\u003e\n\u003cli data-section-id=\"3j1f\" data-start=\"629\" data-end=\"811\"\u003eReviews section includes \u003cstrong data-start=\"656\" data-end=\"675\"\u003eA Bigger Splash\u003c\/strong\u003e, \u003cstrong data-start=\"677\" data-end=\"690\"\u003eAnomalisa\u003c\/strong\u003e, \u003cstrong data-start=\"692\" data-end=\"714\"\u003eHitchcock\/Truffaut\u003c\/strong\u003e, \u003cstrong data-start=\"716\" data-end=\"725\"\u003eCreed\u003c\/strong\u003e, \u003cstrong data-start=\"727\" data-end=\"748\"\u003eThe Green Inferno\u003c\/strong\u003e, \u003cstrong data-start=\"750\" data-end=\"769\"\u003eGoodnight Mommy\u003c\/strong\u003e, \u003cstrong data-start=\"771\" data-end=\"786\"\u003ePoint Break\u003c\/strong\u003e, \u003cstrong data-start=\"788\" data-end=\"801\"\u003eThe Witch\u003c\/strong\u003e, and more\u003c\/li\u003e\n\u003cli data-section-id=\"x9bhg\" data-start=\"812\" data-end=\"975\"\u003eGreat collector issue for fans of \u003cstrong data-start=\"848\" data-end=\"867\"\u003eCharlie Kaufman\u003c\/strong\u003e, \u003cstrong data-start=\"869\" data-end=\"882\"\u003eAnomalisa\u003c\/strong\u003e, \u003cstrong data-start=\"884\" data-end=\"901\"\u003eSight \u0026amp; Sound\u003c\/strong\u003e, \u003cstrong data-start=\"903\" data-end=\"910\"\u003eBFI\u003c\/strong\u003e, arthouse film, international cinema, and serious film criticism\u003c\/li\u003e\n\u003cli data-section-id=\"fn2yit\" data-start=\"976\" data-end=\"1031\"\u003e\n\u003cstrong data-start=\"978\" data-end=\"1008\"\u003eNo separate poster visible\u003c\/strong\u003e in the supplied images\u003c\/li\u003e\n\u003cli data-section-id=\"9h8mip\" data-start=\"1032\" data-end=\"1065\"\u003eActual magazine shown in photos\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1067\" data-end=\"1510\"\u003eCondition Notes:\u003cbr data-start=\"1083\" data-end=\"1086\"\u003ePre-owned magazine in good used condition overall. Front cover presents well with light surface marks, minor handling wear, and light edge\/corner wear visible. Spine looks intact with mild shelf wear. Interior contents and review pages shown are clean, bright, readable, and attached. Back cover is present with light storage\/handling marks. Please review all photos carefully as they form part of the condition description.\u003c\/p\u003e\n\u003cp data-start=\"1512\" data-end=\"1545\"\u003eSEO-Optimized Item Description:\u003c\/p\u003e\n\u003cp data-start=\"1547\" data-end=\"1636\"\u003eThis listing is for \u003cstrong data-start=\"1567\" data-end=\"1635\"\u003eSight \u0026amp; Sound Magazine March 2016, Volume 26 Issue 3, SKU (1392)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1638\" data-end=\"1992\"\u003eA strong film collector issue of the BFI’s \u003cstrong data-start=\"1681\" data-end=\"1698\"\u003eSight \u0026amp; Sound\u003c\/strong\u003e, led by a striking \u003cstrong data-start=\"1718\" data-end=\"1737\"\u003eCharlie Kaufman\u003c\/strong\u003e cover feature exploring his work from \u003cstrong data-start=\"1776\" data-end=\"1800\"\u003eBeing John Malkovich\u003c\/strong\u003e through to \u003cstrong data-start=\"1812\" data-end=\"1825\"\u003eAnomalisa\u003c\/strong\u003e. This is a particularly desirable issue for fans of modern screenwriting, offbeat cinema, arthouse storytelling, animation, and acclaimed contemporary film criticism.\u003c\/p\u003e\n\u003cp data-start=\"1994\" data-end=\"2393\"\u003eInside, the magazine includes in-depth coverage of \u003cstrong data-start=\"2045\" data-end=\"2058\"\u003eAnomalisa\u003c\/strong\u003e, \u003cstrong data-start=\"2060\" data-end=\"2097\"\u003eLuca Guadagnino’s A Bigger Splash\u003c\/strong\u003e, \u003cstrong data-start=\"2099\" data-end=\"2121\"\u003eHitchcock\/Truffaut\u003c\/strong\u003e, \u003cstrong data-start=\"2123\" data-end=\"2144\"\u003eMaking a Murderer\u003c\/strong\u003e, \u003cstrong data-start=\"2146\" data-end=\"2155\"\u003eCreed\u003c\/strong\u003e, and the wider trend of film reboots. The contents also include features and columns on \u003cstrong data-start=\"2244\" data-end=\"2257\"\u003eJack Fisk\u003c\/strong\u003e, \u003cstrong data-start=\"2259\" data-end=\"2278\"\u003ePreston Sturges\u003c\/strong\u003e, \u003cstrong data-start=\"2280\" data-end=\"2296\"\u003eOscar season\u003c\/strong\u003e, restored cinema, Hollywood’s relationship with rap, and the evolving identity of modern cinema.\u003c\/p\u003e\n\u003cp data-start=\"2395\" data-end=\"2694\"\u003eThe reviews section is packed with film titles and keywords collectors search for, including \u003cstrong data-start=\"2488\" data-end=\"2507\"\u003eA Bigger Splash\u003c\/strong\u003e, \u003cstrong data-start=\"2509\" data-end=\"2522\"\u003eAnomalisa\u003c\/strong\u003e, \u003cstrong data-start=\"2524\" data-end=\"2546\"\u003eHitchcock\/Truffaut\u003c\/strong\u003e, \u003cstrong data-start=\"2548\" data-end=\"2560\"\u003eIp Man 3\u003c\/strong\u003e, \u003cstrong data-start=\"2562\" data-end=\"2583\"\u003eThe Green Inferno\u003c\/strong\u003e, \u003cstrong data-start=\"2585\" data-end=\"2604\"\u003eGoodnight Mommy\u003c\/strong\u003e, \u003cstrong data-start=\"2606\" data-end=\"2624\"\u003eKilo Two Bravo\u003c\/strong\u003e, \u003cstrong data-start=\"2626\" data-end=\"2636\"\u003eMavis!\u003c\/strong\u003e, \u003cstrong data-start=\"2638\" data-end=\"2653\"\u003ePoint Break\u003c\/strong\u003e, \u003cstrong data-start=\"2655\" data-end=\"2668\"\u003eThe Witch\u003c\/strong\u003e, \u003cstrong data-start=\"2670\" data-end=\"2683\"\u003eThe Visit\u003c\/strong\u003e, and more.\u003c\/p\u003e\n\u003cp data-start=\"2696\" data-end=\"2807\"\u003eNo separate poster is visible in the supplied images, so this listing is for the magazine only as photographed.\u003c\/p\u003e\n\u003cp data-start=\"2809\" data-end=\"3134\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA great addition for collectors of \u003cstrong data-start=\"2844\" data-end=\"2870\"\u003eSight \u0026amp; Sound magazine\u003c\/strong\u003e, \u003cstrong data-start=\"2872\" data-end=\"2894\"\u003eBFI film magazines\u003c\/strong\u003e, \u003cstrong data-start=\"2896\" data-end=\"2915\"\u003eCharlie Kaufman\u003c\/strong\u003e, \u003cstrong data-start=\"2917\" data-end=\"2930\"\u003eAnomalisa\u003c\/strong\u003e, \u003cstrong data-start=\"2932\" data-end=\"2956\"\u003eBeing John Malkovich\u003c\/strong\u003e, \u003cstrong data-start=\"2958\" data-end=\"2977\"\u003eA Bigger Splash\u003c\/strong\u003e, \u003cstrong data-start=\"2979\" data-end=\"3001\"\u003eHitchcock Truffaut\u003c\/strong\u003e, \u003cstrong data-start=\"3003\" data-end=\"3012\"\u003eCreed\u003c\/strong\u003e, \u003cstrong data-start=\"3014\" data-end=\"3035\"\u003eMaking a Murderer\u003c\/strong\u003e, \u003cstrong data-start=\"3037\" data-end=\"3069\"\u003einternational film magazines\u003c\/strong\u003e, \u003cstrong data-start=\"3071\" data-end=\"3088\"\u003emovie reviews\u003c\/strong\u003e, \u003cstrong data-start=\"3090\" data-end=\"3108\"\u003efilm criticism\u003c\/strong\u003e, and \u003cstrong data-start=\"3114\" data-end=\"3133\"\u003earthouse cinema\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Sight \u0026 Sound","offers":[{"title":"Default Title","offer_id":53927186432339,"sku":"1392-06-04062026","price":5.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/6393\/0707\/files\/IMG_20260603_100910.jpg?v=1780605097","url":"https:\/\/ladsmags.co.uk\/products\/sight-sound-magazine-march-2016-1392-charlie-kaufman-anomalisa-film","provider":"Magazine Trader LTD","version":"1.0","type":"link"}